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EcoSex and the City: Exploring the Earth as Lover

EcoSex and the City: Exploring the Earth as Lover

June 14 -18, 2023

Performance Space New York

EcoSex and the City: Exploring the Earth as Lover

Manhattan, New York

A Co-Created Symposium & Performance Art Happening with Beth Stephens, Annie Sprinkle & Friends 

For more information, updates and symposium passes go here

Join us for a three-day multi-disciplinary gathering to explore our relationships with the environment and social justice, engage in human/non-human collaboration, critique ideologies and create new sexualities. Let’s examine if our “bodies” end at our skin or are part of something much more complex. This unique gathering includes paradigm-shifting panels, ritual, storytelling, poetry, music, films, ancestors, queer glam, keynote speeches, and creative environmental activist strategies. Experience eco-burlesque, learn about the science, and enjoy soil-idarity, conceptual art, and abundant sensual delights. This happening will be Beth & Annie’s 9th symposium and the first on the East Coast. Mingle with diverse life forms and various communities of artists, scholars, sex workers, queers, fashionistas, plants, spores, water drops, clouds, and more, more, more. If desired, dress in costumes inspired by the Earth, and bring your biome clouds. What happens when we posit the Earth as our lover? We invite you to get your ecosexual gaze on and find out. Everyone is invited. More details are coming soon!

Photos by Lydia Daniller

Photos by Annie Forrest

Playing with Fire: A Hot Symposium 🔥 Photo Documentation, Poster & Program

Playing with Fire: A Hot Symposium 🔥 Photo Documentation, Poster & Program

Exploring the pleasures, perils & politics of fire through art, theory, practice, and activism.
October 7, 8th & 9th, 2022.

Our “Playing with Fire Symposium” at UCSC had panels, performances, films, smores and more. The symposium was also filmed for our upcoming film with the same name, “Playing with Fire—An Ecosexual Hot Mess.” Take a look at our photo documentation to get a feel for the events. We also made a beautifully designed program with Saul Villegas, which is also on this page.

Click here to view the program.

Photographs by Lydia Daniller

Photographs by Jaren Bonillo

Photographs by Saul Villegas

Poster and Program

E.A.R.T.H. Lab Presents!

Join us for Playing with Fire: a Hot Symposium Exploring the pleasures, perils & politics of fire through art, theory, practice, and activism.  October 7, 8th and 9th. DARC 108. 

Confirmed speakers and participants include:

Beth Stephens and Annie Sprinkle: Keynote

Roxi Power: Fire Poems

Becca Fenwick: Director, CITRIS Initiative for Drone Education and Research: Presenting UCNRS Fire Data

Karin Bolender: Artist and Director of the Rural Alchemy Workshop (RAW)

Justin Hoover, Artist and Director of the Chinese Historical Society of America

Brandon Smith, Director of the Forestry and Fire Recruitment Program (FFRC)

Benny Fillmore, Washoe Elder and Hotshot Firefighter

Laura Smith-Fillmore, Artist and Translator

Helen Fillmore, Environmentalist, Hotshot Firefighter

Julie Weitz, Artist: Golem: A Call to Action + Prayer for Burnt Forests

Heather and Michael Llewellyn: Artists and Curators of FOREST⇌FIRE Exhibition

More to come!

 

WHAT YOU NEED TO KNOW

Everyone is welcome. Symposium is free.

All events take place at the UCSC DARC building. Google map link here. It’s a big campus, be sure to follow our link! There are many food options for purchase on campus, have a look at the cafe link here.  We’ve also got a great link with directions to the DARC building here. You can find everything else you need below, but if you have any additional questions, shoot us an email at info@earthlabsf.org, and we’ll be happy to answer. SYMPOSIUM SCHEDULE

WHERE: All events are at UCSC in DARC #108 (Digital Arts Research Center), except where noted.

Friday, October 7

Time Event
6-7:30
Meet & Mingle

with the speakers and attendees.
At the  E.A.R.T.H. Lab,  DARC Building, Room #229

Saturday, October 8

At UCSC in DARC #108 (Digital Arts Research Center)

Time  Event
10-11:00
Meet & Greet

Coffee, tea and breakfast nibbles.

11:00
Welcome & Introduction

Playing with Fire” Beth Stephens (artist and UCSC professor) and “The Pleasures of Fire” Annie Sprinkle (Ecosexual artist)

12-1:30
What are we Facing?

Kali Rubaii, Burn Pits, Assistant Professor of Anthropology, Purdue University
Kim TallBear, Fire, Professor of Native Studies, University of Alberta, Edmonton, CA
Becca Fenwick, Director of UCSC’s CITRIS: A drone’s eye view of the UCNRS
(TBA maybe JdL)

12:30-2
Lunch Break

Ambient performance. (TBA)

2-4
Flaming Pasts and Flaming Futures

Heather and Michael Llewellyn: Artists and Curators of FORESTFIRE Exhibition
Laura Smith-Fillmore Artist and Translator-> Fire: the word for wildfire in Wà:šiw is yengi’iši’ or the plural of ‘running’ or literally ‘everything is running’ – I offer that as one idea for a contribution to the performance.(TBA maybe AACC MMG)

4-4:30
Break
4:30-6:30
Flaming Desires

Nicole Rudolph-Vallerga
Tracy Brown
Courtney Desiree Morris
K-haw aka Karin Bolender, Artist: The Rodeo Queen of the Pyrocene!

6:30-8
Dinner Break
8-10
Artists on Fire – An Evening of Performance and Film

Courtney Desiree Morris– Film Screening: Sopera de Yemaya
Justin Hoover
Khaw aka Karin Bolender
Roxi Hamilton Fire Poems

Sunday, October 9

At UCSC in DARC #108 (Digital Arts Research Center)

Time  Event
10-11
Breakfast

Coffee, tea and breakfast nibbles.

11-1PM
Firefighter Stories

Brandon Smith, Forestry and Fire Recruitment Program, FFRP
Julie Weitz, Artist
Benny Fillmore, Wašišiw Elder, Hotshot Firefighter
Helen Fillmore, Environmental Scientist and Hot Shot Firefighter

1:30-2:00
Lunch Break

 

2-4
Community Open Mike

Hosted by (TBA). Any and all attendees that want to can speak, perform, announce, comment, etc., for five minutes. 

FOOD

Food available for purchase around campus, or feel free to bring your own.

PARKING

There is a fee to park in the UCSC parking lot. Our beloved parking enforcement team is extremely vigilant. Please follow the link here to avoid an expensive ticket.  

LODGING

We want you to be warm, comfortable, and cozy. Here are some places to stay:

Camping: The Redwood Resort has free camping for symposium participants and their close guests. This includes shower and restroom facilities. They’re great friends of Annie and Beth, and are co-sponsoring this event! Please keep in mind that they’re a 40 minute drive from UCSC. The map link is here. If you want to use this option, please contact Beth Stephens bethstephens@me.com

You may also like Henry Cowell State Park. They don’t have a website, but the map link and phone number is here.

Hostels: There are lots of options here.

Hotels: A list of all hotels in Santa Cruz can be found here.

We love staying at The Ocean Pacific Lodge. They’re offering a 10% discount for our symposium, just mention that you’re going to UCSC when you book. We’ve had a great time there in the past, and it’s a nice mid-priced hotel. A google map is here. For a high end experience, we recommend the Dream Inn. Their location is right next to the ocean, with incredible views.

Heartfelt thanks to our collaborators friends and sponsors

Dean’s Fund for Excellence and the UCSC Office of Research

Thank you to the Ocean Pacific Lodge, UCSC catering, and India Joez. Thanks also to the incredible technical team of the Digital Arts Research Center.

Special thanks to our generous, amazing hosts: Donna Haraway, Shelly Errington, Nada Miljkovic, Kyle McKinley & Jennifer Gonzalez.

Our dear friends who gave their time to help us with this event: Scott Brandt, Dean Solt, ARI, Center for Science and Justice, Center for Arts and Science, Redwood Resort, Feminist Studies, Jennifer Gonzalez, Jordan Phillibert, Lindsay Moffat, Rachel Smith, Cowell College–Alex, Kristin Grace Erickson, Julie Rogge, Dr. Gary Greenberg.

Thanks also to the amazing UCSC staff.

  

Thank you everyone who gave their time and resources to help us with this event:

ARI, Center for Science and Justice, Center for Arts and

Science, Redwood Resort,

The amazing UCSC staff.

Thanks UCSC catering,

Thanks again to Nada Miljkovic’s KSQID.

Extra special kudos to Rogge Design for the poster designs.

Thank you all for coming!

 

Wedding to Fire

Wedding to Fire

Our new film, Playing with Fire! will illuminate how the natural environment and the nation’s social fabric are deeply intertwined; what affects one impacts the other. The destructive ecological effects of wildfires reflect not only global warming but also the federal government’s failures to effectively provide care and support where it is needed, and to regulate the fossil fuel industry in order to protect the planet for future generations.

Because of COVID precautions we divided our Fire Wedding into two parts. One was a private ceremony in at the Earthlab Boulder Creek. The other was at the Sagehen Creek Field Station in the Sierra Nevada Mountains. In both places we vowed to  to love, honor and cherish fire as a beloved element, until death brings us closer together forever. We do this to cease fighting fire and instead build better relationships with this element. After our wedding in the Sierras, it rained.

 

Boulder Creek

Photos by Lydia Daniller

Boulder Creek Portraits

Photos by Lydia Daniller

Sagehen

Photos by Lydia Daniller

Photos by Jaren Bonillo

Photos by Saul Villegas

VIEW PROGRAM

Click here to view the Boulder Creek Field Wedding program.

VIEW PROGRAM

Click here to view the Sagehen Creek Field Station Wedding program.

Performance: Ecosex Walking Tour | Bernal Heights

Performance: Ecosex Walking Tour | Bernal Heights

Performance: Ecosex Walking Tour | April 24, 2022

Get off your computer and follow along with a gang of colorful, fun tour guides in this site-specific exploration, embodied experience and performative walk around Holly Park. Your attention will be called to beautiful sights, sumptuous scents, the sounds of nature and tasty treats as you massage the Earth with your feet. The group will develop an ecosexual gaze as it shares environmental concerns and explores possible ways to better love the Earth.

Performed by Beth Stephens, Annie Sprinkle & their Tour Guide Team. Directed by Joy Brooke Fairfield.

WALKING TOUR CAST INCLUDES

Jax Blaska

Saul Villegas

Bubble Diva.

Sage Alucero

Aranza Cortéz

Wataya Kyd

Brielle

Shelly Errington

Alessia Cecchet

This program was sponsored by Friends of the San Francisco Public Library

Photos by Liz Highleyman

Photos by Saul Villegas

Earth Day—San Francisco Public Library

Earth Day—San Francisco Public Library

It’s part performance art happening, part environmentalism and part sex-ed! Discuss your hopes and concerns, learn about ecosexuality and imagine abundant futures in the face of global climate crisis. Share what’s ailing you and receive a (collectible) prescription for ecosensual activities that will help you to feel better. In collaboration with the San Francisco Public Library.

For more information about the event click here.

Sierra Magazine

Sierra Magazine

The Earth is sexy. Annie Sprinkle had a sense of that even as a child, skinny-dipping in the glacial lakes of the High Sierra. Beth Stephens felt those same stirrings as a kid growing up in Appalachia, when she straddled bucking horses for rodeos. In 2008, Sprinkle and Stephens made that relationship official—the couple symbolically married the Earth.

“We thought, who needs the rights and protections of marriage? The Earth,” says Stephens, today a professor in the Art department at the University of California, Santa Cruz.

Their resulting performance piece, “Green Wedding to the Earth,” was equal parts earnest, playful, and avant-garde. Guests were given bags of soil to breathe deeply from during the ceremony. Soprano Emma McNairy performed an operatic striptease. The ceremony kicked off a new environmental movement: ecosexuality.

More on the article here.

BD OWENS REVIEWS “ASSUMING THE ECOSEXUAL POSITION” BY BETH STEPHENS AND ANNIE SPRINKLE

Beth Stephens and Annie Sprinkle collaborative art and activism practice has reached a broad range of audiences through their feature length films Goodbye Gauley Mountain: An Ecosexual Love Story (2014) and Water Makes Us Wet: An Ecosexual Adventure(2017). Their performance works, and happenings, have been presented at documenta 14, the Venice Biennale and many other art festivals, galleries and venues across the Earth. Their socially engaged performances have included: â€œEcosexual Wedding” extravaganzas“Sidewalk Sex Clinics”“Ecosex Walking Tours”“Cuddle” sessions and â€œExtreme Kissing”. The stories in Assuming the Ecosexual Position: The Earth as Lover detail some of their behind-the-scenes adventures while making these projects. Readers from Scotland will be thrilled that the Glasgay! Festival (and the Centre for Contemporary Art in Glasgow) played a “juicy” part in their love story. Stephens and Sprinkle have been in a relationship, and collaborating, since 2002. The founders of the E.A.R.T.H. Lab at UCSC, describe themselves as, “two ecosexual artists in love, in a relationship with each other as well as with the Sky, Sea, Appalachian Mountains, Lake Kallavasi in Finland, the soil in Austria, the Sun, the Moon, Coal, [their] late dog Bob and current dog Butch, and other nonhuman and human entities.” Although they acknowledge the long-established position framing the Earth as mother, they assert that the Earth can also be a lover. Reconsidering the Earth as a lover, creates a shift in the dynamics of responsibility and mutual respect.

More on the review here.

San Francisco Chronicle

San Francisco Chronicle

The Earth Lab SF got some great newspaper coverage in December 2021 when a fabulous man about town, staff writer Tony Bravo imbedded with us for three days. Award-winning photographer Lea Suzuki did a photo shoot in Holly Park in the Bernal Hill neighborhood. Tony Bravo managed to credit all the right people and places and we couldn’t have been happier with the piece.

Click here to see the whole piece by Tony Bravo.

Billboard Hoardings

Billboard Hoardings

Billboard Hoardings

FESTIVAL 2021

NEoN Digital Arts Festival 10th-13th November 2021 Wired Women*  WARNING: This article contains strong language Under the theme ‘Wired Women*’, NEoNs annual festival will look to address the digital gender divide and highlight the contribution of female and nonbinary artists in shaping the digital and technology-driven arts sector. Its 4-day festival will be a hybrid mix of online and physical exhibitions, interventions, performances and talks celebrating new and past works by women and nonbinary artists.  NEoN has invited female and nonbinary artists from across the world to investigate how we can bridge the digital gender divide in today’s world, how to connect our communities better and highlight the contribution of female, non-binary artists and technologists in shaping our digital and technology-driven lives.  ‘Wired Women*’ is inspired by the book of the same name by Lynn Cherny. Written in 1996, it is a collection of essays written by women looking at what women were doing on the internet. As today it reflected the complexities of our society, with just about every topic talked about; love, relationships, censorship, gender, including its hostilities. Sadly 24 years on, the anonymous online hostility still exists and is mostly directed at women. As digital transformations continue, they will provide new avenues for empowerment, contributing to greater gender equality, giving all complete access to opportunities, greater access to knowledge and platforms for creativity.  This years programme has been curated and co-porduced with Artist/curator Ailie Rutherford. Ailie is well known for her work in exploring potential applications of new and emerging technologies within feminist and community currency. We are very pleased to announce the artists for 2021: 

 * Inclusive of Trans and Intersex women, as well as non-binary and gender fluid people who are comfortable in a space that centres the experience of women.

Click here to view a slideshow of Billboard Hoardings.

City Lights Books—In Kerouac Alley

City Lights Books—In Kerouac Alley

What a blast presenting a Sidewalk Ecosex Clinic with the legendary City Lights Bookstore in Jack Kerouac Alley with our team of psychomagical clinicians writing prescriptions for whatever ailed passersby. It was so successful that we’re scheduling four more Ecosex Clinics for this year. We are also planning more gatherings and presentations in the lush and twinkly backyard of the Wild Side West (neighborhood bar). We sold more books at our Wild Side West party than anywhere else. Thanks, book buyers!

 

Grist

Grist

It might be time to rethink our relationship with ‘Mother Earth’

When I was a little kid, a very close friend had a very cute oversized T-shirt with a childlike drawing of the Earth printed on it and the sweetly scripted commandment: “Love Your Mother.” The shirt was a tent when we were fourth-graders, billowing over primary-color leggings and dirty sneakers. But by high school, it had become soft and a little snug and more than a little ironic given that we, as teen girls, were inexplicably and consistently mean to our actual mothers.

Many would agree that the idea of “Mother Earth,” that dear old cliché of the environmental movement, has become equally worn out. There’s little doubt that the concept of “Mother Earth” is well intentioned: Think of the Earth as someone you love — your mother! Who could you love more than that? Treat her with respect and care and she will provide for you in perpetuity.

That advice immediately begins to fall apart, however, when you consider the societal-level sacrifices climate experts say we humans need to make in order to avert the worst consequences of global warming. Thinking of Earth as a mother hasn’t inspired much in the way of filial piety. You might even say the relationship has become toxic — or at the very least, extremely one-sided.

But if our view of Earth as a mother hasn’t done her any favors, what are our alternatives? One option is to think of the planet in slightly more intimate terms. Environmental activists, artists, and romantic partners Beth Stephens and Annie Sprinkle are considered to be the cofounders of the ecosexual movement — a philosophy in which we cherish the Earth as a kind of romantic life partner. In their new book Assuming the Ecosexual Position, they urge you — yes, you, inhabitant of this planet — to consider taking the Earth as a lover. My own personal aversion to the phrase “take [x] as a lover” aside, the intention here is pure. If you develop a relationship with the earth as intimate and caring as one you might have with a significant other, you’ll care for it.

Here’s where things get a little bit alternative, even for the Savage Love devotees among us. Ecosexuality is more than a thought experiment: Stephens and Sprinkle have held wedding ceremonies between themselves and the Appalachian mountains. They’ve married the moon, the soil, the sky. Relationships with the earth are meant to be polyamorous and sensual; the definition of a sexual experience, for example, should extend beyond whatever happens between two human bodies to what happens between a human body and the springtime sun, morning air, alpine lake water. If there’s not sufficient pleasure in the relationship, after all, there’s less incentive to preserve it. The artists “think about sustainability a lot differently than other people do;” in that if a particular practice isn’t at least a little bit fun, you won’t keep doing it.

So why the emphasis on a romantic, sexual connection? “There’s an urgency to please one’s lover, where there’s not so much with your mother or friend,” explains Stephens. “I feel like with a lover, I’m more aware of my missteps. A lot of people take their mothers or friends for granted.”

Stephens and Sprinkle elaborated on their approach during a long phone conversation over breakfast in their San Francisco kitchen. They said they consider themselves “matchmakers, trying to help people fall in love with everything around them.” Sprinkle pointed to the recent oil spill in her native Southern California to illustrate their point.

“If you really really deeply love the beach, and feel a real heart connection and concern, and imagine the beach is alive and it’s sentient, you’re gonna be more heartbroken and want to protect that beach from the horrible tar,” she said.

There is certainly something appealing about this ideology. The world is your love, your love, the world; sounds like a nice life! (As Sprinkle says: “When you’re an ecosexual, you’re never alone!”) We have to admit that over the history of humans on Earth, the bar for “environmental care” has been lowered so far it’s in hell. Any meaningful improvement would require a real transformation in how we see the ecosystems and natural features around us, and believing you can fuck a mountain would certainly constitute a significant transformation.

But the more I thought about human relationships as a template for environmental responsibility, I began to wonder if there’s any status — particularly of the romantic or sexual variety — that ought to be ascribed to our connection to the world around us. How many times have you mistreated, or neglected, or made false promises to someone you loved? How many sexual relationships have you been in with no semblance of real care or compassion? How many deeply dysfunctional romantic relationships have you shaken your head at, be it listening to chatter in a bar bathroom line or on deep in the comment thread on social media?

The truth is, humans hardly have a flawless track record at caring for their same-species lovers. It’s unclear to me that the planet would fare much better with this framing. Granted, these may simply be the cynical views of someone who has seen too many breakups. In our conversation, Sprinkle and Stephens acknowledged that they’re speaking to the “walking wounded,” as far as relationships go, and hope that some of their ecosexual [lessons] can carry over to inform and improve interhuman relationships as well.

The idea of caring for the Earth as you would a person is not new — something that Sprinkle and Stephens fully acknowledge in their work. Many Indigenous cultures ascribe (nonsexual) feeling and thought and entity to any number of ecosystems, geological formations, forests, rivers, animals. Nick Estes, a Lakota scholar and activist, has written evocatively about the cultural tradition of understanding one’s environment as one’s relative:

When we emerged, we were pitiful creatures, the ikce wicasa, the common people, who depended on our relatives the Pte Oyate, the buffalo nation, and the Mni Oyate, the water nation, to give us life. Hence the phrase, Mni Wiconi, water is life. They protected us and cared for us. And we must ask, where are those nations today, our relatives who helped us realize our own humanity? How are we protecting them and taking care of them today?

I spoke with Rosalyn LaPier, professor of environmental studies at University of Montana and a member of the Blackfeet Nation, about this relationship between humans and the land. LaPier says that in the tradition of her tribe, there are both physical and metaphysical worlds, and metaphysical beings can inhabit rivers or woods or hillsides, which then become sacred places.

“For the Blackfeet tribe, you want to create a relationship with a supernatural entity because in Blackfeet cosmology, supernatural entities run the world and humans do not,” LaPier explains. “So for humans to live a good life, it’s important for them to have a relationship with multiple, not just one, supernatural entities.” The way those relationships are maintained is through communication and offerings, in which humans visit those sacred places to bring food and gifts and pray to them (to use Western terminology). There’s some quid pro quo, she adds — the supernatural ally is helping the human, but the human is also helping to protect them and their home. “It’s based on reciprocity, it’s not a one way street.”

Moreover, the movement for “environmental personhood” is a legal mechanism that some tribes have attempted to use to protect those sacred places, such as the Yurok tribe’s 2019 designation of the Klamath River in southern Oregon. The idea is that a natural formation should have the same legal rights as a person — which corporations are infamously afforded — but it hasn’t yet succeeded in the American judicial system. A 2017 case sought to protect the Colorado River as a person, but it was eventually dropped. A similar protection of Lake Erie’s right to “exist, flourish, and naturally evolve” passed by the city of Toledo, died in court in February 2020.

A common thread here seems to be one of mutual care, however unromantic that may seem. If the Colorado River dries up, tens of millions of people will suffer. If Western forests are not adequately protected and cared for, they might fuel catastrophic wildfires. If the atmosphere becomes overwhelmed by too many greenhouse gases, well, we all know what’s going to happen.

Meaningfully transforming your relationship with the Earth may seem like a low-priority climate ask, but I, for one, am at the point of “no task too small, no approach too outside-of-the-box” if there’s a chance it’s effective. If imagining all of these parts of our ecosystem as people that you care for, romantically or familiarly or however, helps inspire you to fight for the fate of the planet then why the hell not?

As Sprinkle herself says: “Different archetypes work better for different people. We’re not trying to get people to imagine the Earth as lover unless they want to! For a lot of people, it doesn’t resonate. They’re like ‘Nope, not going there. That’s my mom!’

“Whereas some people go: ‘Thank you, thank you, I didn’t have a word for it — that’s me.”

PDF of the article here.

Cyber Wedding to the Brine Shrimp

Cyber Wedding to the Brine Shrimp

Cyber Wedding to the Brine Shrimp 2021. Ewelina Jarosz, Justyna Górowska in collaboration with Annie Sprinkle and Beth Stephens.

Cyber Wedding to the Brine Shrimp is a hydrofeminist ecosexual performance that took place on September 14th, 2021. Inspired by the ecosexual weddings of Annie Sprinkle and Beth Stephens, cyber-nympho artist-brides, Ewelina Jarosz and Justyna Górowska have married the brine shrimp. The interspecies ceremony was witnessed by the public in a multi-species documentary movie, enhanced with augmented reality technology. The brides encouraged others to love, honor, and cherish the resilient brine shrimp and learn about the perils they and their ecosystem face. The vows to the brine shrimp of the Great Salt Lake were made on the Rozel Point peninsula near the Spiral Jetty (1970), a land artwork by Robert Smithson. This performance was also an intervention into the history of this iconic work, through which the queer Polish and American artists explored and pursued its ongoing transformation in the times of climate change.  At first, this famous work manifested the masculine energy of its creator and was associated with liberation from the museum-and-gallery context. Next, it was discovered as a post-humanist salty crystalline artwork that “provokes non-anthropocentric configurations of perception”. However, the most recent chapter in the history of Spiral Jetty links its meaning with ecosexuality, hydrofeminism,  and land acknowledgment for Ute, Paiute, Goshute, Shoshone, and Dine peoples’ land.  

This hydrofeminist ecosexual ceremony was the first more-than-human wedding event in the world using augmented reality to create the brine shrimp brides/grooms out of digital air. After downloading Artemia App, every person using an Android smartphone can enjoy being in digital nature and explore the posthuman community in augmented reality. Finally, through this performance, the future-making environmental cultural politics are addressed to reorient the public interest in the Spiral Jetty from the Western art world establishment and ideology to the climate change context. And therefore, bringing and focusing attention on the depleting Great Salt Lake’s biodiversity and multispecies justice in the hydrocene.

Visual documentation of the ceremony.

____________________________

Justyna Górowska in collaboration with Ewelina Jarosz The Ongoingess of Love in the Time of Mourning, Kreis Galerie, Nürnberg, Germany. May 6th – June 18th 2022. Organized by Cloud Foundation during Blaue Nacht Nürnberg 2022.

View selected images.