
CNN: The ‘ecosexuals’ hosting joyful weddings to the Earth
Click on The Purple Wedding Photo to see the article.
Click on The Purple Wedding Photo to see the article.
FOR IMMEDIATE RELEASE – July 26, 2021
Franconia Sculpture Park
Contact: Alyssa Auten, Communications & Creative Director
alyssaauten@franconia.org | www.franconia.org
FRANCONIA SCULPTURE PARK HOSTS OFFICIAL BOOK LAUNCH FOR ASSUMING THE ECOSEXUAL POSITION: THE EARTH AS LOVER AND US PREMIERE OF THE ONE MINUTES—IMAGINE THE EARTH IS YOUR LOVER WITH ANNIE SPRINKLE AND BETH STEPHENS
WEDNESDAY, SEPTEMBER 1
Franconia Sculpture Park in collaboration with the University of Minnesota Press and The One Minutes is pleased to present the official book launch for Assuming the Ecosexual Position: The Earth as Lover by Annie Sprinkle and Beth Stephens with Jennie Klein. Published August 15, 2021 by the University of Minnesota Press, the book presents the story of the artistic collaboration between the originators of the ecosex movement, their diverse communities, and the Earth. Assuming the Ecosexual Position tells of childhood moments that pointed to a future of ecosexuality—for Annie, in her family swimming pool in Los Angeles; for Beth, savoring forbidden tomatoes from the vine on her grandparents’ Appalachian farm. The book describes how the two came together as lovers and collaborators, how they took a stand against homophobia and xenophobia, and how this union led to the miraculous conception of the Love Art Laboratory, which involved influential performance artists Linda M. Montano, Reverend Billy Talen, Guillermo Gómez-Peña, theorist Paul B. Preciado, and feminist pornographer Madison Young. Please join Franconia on Wednesday, September 1, 2021 for a meet and greet and book signing with the artists, an outdoor book hunt throughout the sculpture park, and a night of ecosexy short films which explore mad, passionate, and fierce love for the Earth.
Wednesday, September 1, 2021 at Franconia Sculpture Park
An Ecosexy Book Launch Happening with Annie Sprinkle, Beth Stephens, and Jennie Klein
6pm-6:30pm: Meet & Greet, Book Signing, and Drinks with Annie Sprinkle, Beth Stephens, and Jennie Klein at Franconia Commons
6:30-7:30pm: Assume the Ecosexual Position: A Peripatetic Walk and Book Hunt through Franconia Sculpture Park
7:30-8:30pm: The US Premiere of Imagine the Earth is Your Lover, a document of the Ecosex Movement. 23 one-minute films and other ecosexy shorts from around the world curated by Beth Stephens and Annie Sprinkle. Watch the trailer at: https://vimeo.com/463829285
8:30pm-9:00pm: Q&A and Discussion
For more information on Assuming the Ecosexual Position, please visit: https://www.upress.umn.edu/book-division/books/assuming-the-ecosexual-position
ABOUT THE AUTHORS
Annie Sprinkle and Beth Stephens have been life partners and 50/50 collaborators on multimedia projects since 2002. They are authors of the Ecosex Manifesto and producers of the award-winning film Goodbye Gauley Mountain and Water Makes us Wet, a documentary feature that premiered at documenta 14 and screened at MoMA in New York. Sprinkle is a former sex worker with a PhD in human sexuality. Stephens holds a PhD in performance studies and is the founding director of E.A.R.T.H Lab at University of California at Santa Cruz.
Jennie Klein is professor of art history at Ohio University. She is editor of Letters from Linda M. Montano and coeditor of Histories and Practices of Live Art and The M Word: Real Mothers in Contemporary Art.
About Franconia Sculpture Park
The mission of Franconia Sculpture Park is to foster an inclusive community to create and contemplate contemporary art inspired by nature and our ever-evolving world. Founded in 1996, Franconia operates a 50-acre outdoor museum, active artist residency program, and a depth and breadth of arts programming for a diverse and engaged public.
Franconia is located at 29836 St. Croix Trail in Shafer, Minnesota, and is free and open to the public 365 days a year from 8am to 8pm. Please visit us at www.franconia.org.
Join us for Playing with Fire: a Hot Symposium Exploring the pleasures, perils & politics of fire through art, theory, practice, and activism. October 7, 8th and 9th. DARC 108. Stay tuned for more information.
Confirmed speakers and participants include:
Beth Stephens and Annie Sprinkle: Keynote
Roxi Power: Fire Poems
Becca Fenwick: Director, CITRIS Initiative for Drone Education and Research: Presenting UCNRS Fire Data
Karin Bolender: Artist and Director of the Rural Alchemy Workshop (RAW)
Justin Hoover, Artist and Director of the Chinese Historical Society of America
Brandon Smith, Director of the Forestry and Fire Recruitment Program (FFRC)
Benny Fillmore, Washoe Elder and Hotshot Firefighter
Laura Smith-Fillmore, Artist and Translator
Helen Fillmore, Environmentalist, Hotshot Firefighter
Julie Weitz, Artist: Golem: A Call to Action + Prayer for Burnt Forests
Heather and Michael Llewellyn: Artists and Curators of FOREST⇌FIRE Exhibition
More to come!
Everyone is welcome. Symposium is free.
WHERE: All events are at UCSC in DARC #108 (Digital Arts Research Center), except where noted.
Time | Event |
---|---|
6-7:30 |
Meet & Mingle
with the speakers and attendees. |
At UCSC in DARC #108 (Digital Arts Research Center)
Time | Event |
---|---|
10-11:00 |
Meet & Greet
Coffee, tea and breakfast nibbles. |
11:00 |
Welcome & Introduction
“Playing with Fire” Beth Stephens (artist and UCSC professor) and “The Pleasures of Fire” Annie Sprinkle (Ecosexual artist) |
12-1:30 |
What are we Facing?
Kali Rubaii, Burn Pits, Assistant Professor of Anthropology, Purdue University |
12:30-2 |
Lunch BreakAmbient performance. (TBA) |
2-4 |
Flaming Pasts and Flaming Futures
Heather and Michael Llewellyn: Artists and Curators of FOREST⇌FIRE Exhibition |
4-4:30 |
Break
|
4:30-6:30 |
Flaming Desires
Nicole Rudolph-Vallerga |
6:30-8 |
Dinner Break |
8-10 |
Artists on Fire – An Evening of Performance and FilmCourtney Desiree Morris– Film Screening: Sopera de Yemaya |
At UCSC in DARC #108 (Digital Arts Research Center)
Time | Event |
---|---|
10-11 |
BreakfastCoffee, tea and breakfast nibbles. |
11-1PM |
Firefighter StoriesBrandon Smith, Forestry and Fire Recruitment Program, FFRP |
1:30-2:00 |
Lunch Break
|
2-4 |
Community Open MikeHosted by (TBA). Any and all attendees that want to can speak, perform, announce, comment, etc., for five minutes. |
Food available for purchase around campus, or feel free to bring your own.
There is a fee to park in the UCSC parking lot. Our beloved parking enforcement team is extremely vigilant. Please follow the link here to avoid an expensive ticket.
We want you to be warm, comfortable, and cozy. Here are some places to stay:
Camping: The Redwood Resort has free camping for symposium participants and their close guests. This includes shower and restroom facilities. They’re great friends of Annie and Beth, and are co-sponsoring this event! Please keep in mind that they’re a 40 minute drive from UCSC. The map link is here. If you want to use this option, please contact Beth Stephens bethstephens@me.com
You may also like Henry Cowell State Park. They don’t have a website, but the map link and phone number is here.
Hostels: There are lots of options here.
Hotels: A list of all hotels in Santa Cruz can be found here.
We love staying at The Ocean Pacific Lodge. They’re offering a 10% discount for our symposium, just mention that you’re going to UCSC when you book. We’ve had a great time there in the past, and it’s a nice mid-priced hotel. A google map is here. For a high end experience, we recommend the Dream Inn. Their location is right next to the ocean, with incredible views.
Thank you to the Ocean Pacific Lodge, UCSC catering, and India Joez. Thanks also to the incredible technical team of the Digital Arts Research Center.
Special thanks to our generous, amazing hosts: Donna Haraway, Shelly Errington, Nada Miljkovic, Kyle McKinley & Jennifer Gonzalez.
Our dear friends who gave their time to help us with this event: Scott Brandt, Dean Solt, ARI, Center for Science and Justice, Center for Arts and Science, Redwood Resort, Feminist Studies, Jennifer Gonzalez, Jordan Phillibert, Lindsay Moffat, Rachel Smith, Cowell College–Alex, Kristin Grace Erickson, Julie Rogge, Dr. Gary Greenberg.
Thanks also to the amazing UCSC staff.
Thank you everyone who gave their time and resources to help us with this event:
ARI, Center for Science and Justice, Center for Arts and
Science, Redwood Resort,
The amazing UCSC staff.
Thanks UCSC catering,
Thanks again to Nada Miljkovic’s KSQID.
Extra special kudos to Rogge Design for the poster designs.
Thank you all for coming!
Click on the photo below to view The One Minutes Press Release.
Curator Paul B. Preciado asked us to do a series of three Sidewalk Sex Clinics in and around Athens, Greece, as part of documenta 14’s public programs. We prepared plexiglass standing placards to put on our tables with our neatly typed names, bios and sex education offerings which read like scores sprinkled with a dose of Fluxus absurdity. We offered radical sex education, although we sprinkled in some practical sex advice.
The documenta 14 team helped us enlist some local sex educators for the performance. We knew that it was important to have Greek citizens be part of our clinician team. Paul brought on board Activista, a genderqueer safe sex expert and an amazing drag performer, as well as Dr. Bubuke aka Bubu, a trans woman with a Ph.D. who offered advice in transgender and queer issues and counter hegemonic sexual practices. There had been some horrible anti-GLBTQ+ violence around Athens, so we were assigned a body guard. The documenta 14 production team members, including our main handler for the clinics project, Maria Dolores, were all extremely helpful when scouting and reserving our sites and setting up the tables, chairs and signs. Our good friend, Veronica Vera, dean of the Academy for Boys Who Want to Be Girls, joined us from New York. Our French friends from Emmetrop art center, King Erik and his wife Mamita, joined us as well.
The people of Athens were generous with us and hopefully our Free Sidewalk Sex Clinic, which documenta 14 described as a nomadic performance, helped open up more space for queer and marginalized people in Athens as it opened more minds to creative sex positivity and absurdist sex humor.
We were scheduled to present just one Free Sidewalk Sex Clinic in Kassel, not three like we did in Athens, and we wanted it to be our biggest and best one ever. We put out a call for collaborators through word of mouth and on our social media networks. Our friend, Kristina Marlen, a professional tantric dominatrix, author, and sex positive blogger living in Berlin, enlisted some of her German sex worker friends. King Erik and Mamita had enjoyed doing the three clinics in Athens so much that they drove in from France and joined us again. A Japanese friend and colleague, Hiroko Kikuchi, showed up just as we were setting up the clinic and we invited her to join us. She wasn’t exactly a sex expert, but we had plenty of those, what we needed was a conceptual artist, plus she spoke Japanese. There were thirteen of us and collectively we spoke six languages; English, Spanish, German, French, Greek, and Japanese. On the afternoon of our Kassel clinic, we set up our tables, chairs, and props in the city’s main square, the Friedrichsplatz, between the Joseph Beuys’ 7000 Oaks trees. Just as we were set up and ready to start, a fierce lightning storm rolled into Kassel. We were firmly instructed to move inside to the ground floor rotunda of the Fridericianum Museum for everyone’s safety.
Our clinic in the rotunda filled up with a diverse mix of people who lined up in front of their chosen sex educators, eagerly seeking advice and conversation. Our clinic was hopping as people are not used to free sex advice in public and many were hungry to talk about sex in ways were not shameful or secretive. Participants asked us all sorts of questions. We did our best to provide practical information while also being creative and thinking outside the box. The two of us offered sex life tarot readings, and usually the cards provided just the right guidance. Drawing on our combined personal experience our group gave radical, queer, and punk rock sex advice that eschewed traditional morality. Our clinicians offered tips on topics such as FluxSex, Chthulu compost love attitude, Naughty karma, Amazon play, rosebud reiki, queer celibacy, sex in performance art, sensual presence, aktivist humanist ethics, sexological bodywork, pollen-amory, sophisticated surrender, food porn addiction, sexual alchemy, sex and psychedelics and more.
This documenta sex clinic was a parliament of embodied sexual knowledge. Some of our sex workers who had not seen themselves as sex educators previously, did now and they were elated and empowered. A good time was had by all, and certainly we opened up some minds and performed a sex clinic as art.
Click here to view a PDF of the Kassel Sidewalk Sex Clinic Program
FUTUREFARMERS, ECO-SEXUALS, AND A FOG WEDDING
A fog of bodies roll in from the coast, tumbling onto the Great Meadow, a gathering site for two lines of force within radical feminist art where ecosex is enacted and medico-judicial categories of sexuality (homosexuality / heterosexuality) are troubled. Among an assembly of humans and animals, bio and trans, men and women, transgender bodies, mutants survivors, witnesses, ring bearers… Beth Stephens and Annie Sprinkles will marry the fog – together a reeroticism of the universe, a calling into question the hierarchy of species, definitions of sexuality, and the political stratification of the body.
Click here to view the program for the Fog Wedding.
Photography by Saul Villegas
Throughout Water Makes Us Wet: An Ecosexual Adventure, Stephens and Sprinkle gradually introduce the viewers to the E.A.R.T.H. Lab’s areas of research in which they are pioneers; ‘Sexecology‘ (which links sex and ecology) and ‘Ecosexuality’ (a previously undefined sexual orientation). In their words,
Ecosexuality [is] an expanded form of sexuality that imagines sex as an ecology that extends beyond the physical body. [… Furthermore] Ecosexuality shifts the metaphor ‘Earth as Mother’ to ‘Earth as Lover’ to create a more reciprocal and empathic relationship with the natural world.
Click here to view the entire review.
When Paul B. Preciado began the curatorial process to present our work at documenta 14, he asked what we would like to do most, and we both instantly said the Ecosex Walking Tour. Joy Brooke Fairfield had done a great job helping us script the tour and we were excited to share it in Kassel
Using email and social networking, we issued a call for collaborators to perform with us as tour guides; so many wonderful artists responded it was hard to choose. Documenta paid artist fees and supplied nice places to stay. We were scheduled to perform five afternoon tours, June 14–18, 2017. Piedmont Boutique made us flashy new costumes in collaboration with Christina Dinkel.
Joy joined us in Germany to direct the production. We chose a route that would begin between the first and last of the trees that Joseph Beuys planted for documenta 7, called 7,000 Oaks (7,000 Eichen). It was exciting to stand between those trees that were also right at the base of Marta Minujín’s huge Parthenon of Books, a re-creation of the Greek landmark constructed of banned books and the centerpiece of documenta 14.
We were really pleased with our performance team, most of whom we had not met before that day. When we arrived to give our first tour, we were shocked to find around two hundred people awaiting us and a mob of news photographers and journalists. We led our tour group over to the Karlsaue Park, the map of which looks remarkably like a vulva and an anus. Our tour wove through major documenta sculptural works, through water fountains, and down flower-lined stone steps. We shared our ecosexual herstories and invited our audience to share theirs. Our group then assembled at a semi-private spot where Annie led our team in an ecosexercise workout—breathing, undulating, building, and circulating erotic energy—which the audience could follow along with if they wanted. Next, we walked to the park’s trash cans, and our team picked up trash as we opined about pollution. Sitting on a nearby bench were a group of men, refugees from Africa, that wanted to share their thoughts. Then we invited the audience to step up to the mic and share their environmental concerns, which they did, illustrating the seriousness of environmental crises. It’s spontaneous moments like these that make working in public space so exciting. The dramatic high point of our show was at the park’s war memorial, where we gave a rousing antiwar speech flanked by our fabulous tour guide team posing with the protest signs. After a few minutes of silence, we ended the tour, handing everyone a special card for their wallets, stating that they had made love to the Earth and were now officially ecosexuals.
Our generous ecosexy performers were Sarah Bouars, Daniel Cremer aka Gaiaboi, Sura Hurtzberg, Camille Käse aka Jemelen, Mathias Lenz aka Dr. Menta, Kristianne Salcines, Tessa Huging, Kay Yoon, Allegra Bliss, Jean Roux aka Rhizome, Jake Winchester, and Valentina.
In addition to performing at documenta, we were given an exhibition in the Neue Gallerie in Kassel. This exhibition presented our work to an international audience of artists, art lovers, writers, collectors, museum professionals, and gallerists. The carefully curated display of our visual work laid out the historical groundwork of our collaborations with each other. For the Neue exhibition, curator Paul B. Preciado chose our gender fluid 25 Ways to Make Love to the Earth banner, Beth’s Porn Star/Academic Bronzed Panty Collection, and a Breast Cancer Ballet collage. Paul also chose two of Annie’s older pin-up polaroid pieces: Why Whores are My Heroes and The Transformation Salon. Beth’s speculum sculpture, which invites the viewer to look through the speculum in order to watch a video of Annie performing her Public Cervix Announcement, was included, as was our Ecosex Wedding Project, a looped ten-minute video compilation of our ecosexual wedding highlights. The pièce de résistance were the two formal vitrines full of our ephemera, one held wedding invitations, posters, and other items from our Love Art Lab project. Another held zines, publications, and Annie’s Post Modern Pin-Up Pleasure Activist Playing Cards that Annie made in1996 with Katharine Gates. Some of these photos were taken before the gallery opened. When open, everyone commented on how our gallery space was always packed with visitors.
In the group photo from left to right: Balitronica, Guillermo Gómez-Peña, curator Paul B. Preciado, Beth Stephens, Annie Sprinkle, King Erik from Emmetrop, and Cecile aka Mamita.
We kicked off our First International Symposium in May 2013 with a workshop for Paul B. Preciado’s symposium Living and Resisting in the Neoliberal Condition in the Somateca Program for Advanced Studies in Critical Practices workshop series, held at La Reina Sofía Museum in Madrid, Spain. Paul invited us to give a workshop titled Ecosex in the Age of Neoliberalism.
Paul described his symposium as an exploration of the “implications of the neo- liberal condition, by introducing new forms of activism and critical languages as responses to the collapse of disciplinary institutions and the revision of medical, socio-political, and audiovisual discourses centered around the body.” He asked us to explore ecosex as a way to counter the policies of austerity that were being forced on the Spanish by their government. Spain, along with the other three southern European Union countries Portugal, Italy, and Greece, had received loans from the World Bank and the International Monetary Fund. These institutions provided this funding with the stipulation that if the loans were not repaid in a timely manner, the funds would be collected by taking other resources. International lenders make huge profits by holding national resources as collateral in cases of default. These publicly held asets include property, mineral rights, and national pension funds. Losing these assets severely impacted the quality of life for ordinary people, as the governments of Portugal, Italy, Greece, and Spain were forced to impose austerity policies on their citizenry in order to repay the loans that they could not afford.
We had experience with similar issues right in our own neighborhood. Part of the fallout of the 2008 financial crisis was the epidemic of foreclosures. It was largely centered on families taking out loans that they could not afford. When they could not pay back their loans, lenders took their homes. Beth started Occupy Bernal during a meeting that took place around our kitchen table. Occupy Bernal saved more than one hundred of our neighbors and families from foreclosure and evictions. But that is another story.3
Paul invited us to present because he saw our focus on love and respect for the natural environment as a way to be in the world celebrating the Earth for reasons other than instrumental profit or gain. For the workshop we could not have asked for a more committed group. The Somateca participants were seasoned activists, professional community organizers, NGO workers, and intellectuals who were living through the economic deterioration of southern Europe. They were extremely critical of neoliberalism and interested in resisting the system.
First we took the group on a walk to Parque del Retiro. We gave each participant a copy of our “25 Ways to Make Love to the Earth” as a sort of trail guide, and we encouraged them to experience ecosex in a variety of ways, using all their senses. When we reached the park’s highest knoll, we invited the participants to repeat our wedding vows “to love, honor, and cherish the Earth.” Later at the museum’s workshop space we formed breakout groups, which we asked to explore possibilities for ecosexual activism using drawing and map making. We received some very interesting comments, including that of one group who suggested that the slowing down of experience and movement during our walking tour was a powerful way to remove oneself from the constant demand for productivity. We also got some interesting feedback from a few folks who were not quite ready to embrace our vision. Overall, we felt our workshop in this context was a big success.
We really wanted to do something special with our friends, something local, and we love the Sun. So at 6 a.m., an hour before sunrise, on December 11, 2011, we gathered together with our beloved San Francisco community on top of Bernal Hill. Fortunately for us, Katy Bell, the producer of San Francisco’s Dada Festival and a porn clown, volunteered to be our production manager. She somehow managed to cajole us, and our sleep- friends, and collaborators to the Hill and into place in the pre-dawn darkness. Once we were awake, we unfurled a very long silk ribbon and asked everyone to hold on to it as we led a procession around Bernal Hill. We watched the Sunrise over the East Bay. Then we all climbed up to the crest of the hill and reveled in the stunning 360-degree view of San Francisco.
The two of us were the brides, masters of ceremonies, and the officiants. Joseph Kramer was our lead groom. Many of our friends attended this wedding as witnesses, performers, and supporters. Even artist Linda M. Montano joined us by astral projection. As the ritual began, we applied thick, white sunscreen to everyone’s noses. Neighbors strolled and walked their dogs nearby while we performed. Sadie Lune, who had been trying to get pregnant, laid a raw egg on the ground, which she then cracked to display a golden yellow yolk, glittering in the morning sun. Tony’s Circus played live and sang “Here Comes the Sun.” Mariko Passion’s Conscientious Objector performance was a reenactment of the 2011 UC Davis police tear-gassing of peaceful student protesters. Lady Monster performed a sunrise burlesque routine roasting marshmallows on sticks with her flaming tassels, which she then fed to wedding guests. The ritual closed with Good Vibrations CEO Jack Strano’s moving rendition of Leonard Cohen’s “Hallelujah.” Theater director Rudy Ramirez flew in from Austin, Texas, and did our homily, a piece he wrote and performed called “Happy Endings.” By the end of the wedding, the Sun was burning bright.
To view, our beautiful Wedding program and full credits click here.
WE ARE THE LOVE ART LABORATORY, an artist couple dedicated to doing art projects that explore, generate, and celebrate love. We orchestrate performance art weddings in collaboration with various international communities. Each wedding is site-specific, interactive, and utilizes a different theme and color based on the seven chakra system (inspired by artist Linda Montano’s 14 Years of Living Art.) The Love Art Laboratory grew out of our response to the violence of war, the anti-gay marriage movement, and the corporate greed causing the destruction of our planet. Our projects are symbolic gestures, which aim to instill hope, to be an antidote to fear, and act as a call to action.
THIS PAST YEAR, WE MARRIED the Earth in a magnificent redwood tree grove in California, we married the Sky in Oxford, England, and we had what may have been the first queer wed- ding in the Balkans, in Zagreb, Croatia. Hundreds of people attended these weddings and helped to create them through their generous collaborations.
FOR OUR SEVENTH WEDDING, AND IN OUR BLUE YEAR, we will marry the Sea. We are passionately in love with her and desire to take care of her in order to help save her. We are eco-sexuals, meaning that we find nature incredibly romantic, extraordinarily sensual, and an exquisite lover. Additionally, we are “sexecologists,” who combine sexology and ecology, and we intend to make the environmental movement a little sexier.
WHY MARRY THE SEA IN VENICE? During the Renaissance, the Doge (chief magistrate) de- creed that, “Venice must marry the sea as a man marries a women and thus become her Lord.” So each year the Doge would go out on a boat and drop a ring into the water. But can people really Lord over the Sea? What is perfectly clear is that people do have the power to destroy her, and are rapidly doing so. We will follow the tradition of marrying the Sea in Venice — as two women who have moved beyond the dominant-male and submissive-female dynamic, as seduc- tive eco-sexual artists, and as global citizens who care deeply about the welfare of our planet.
THE FEAR SOCIETY PAVILION IS THE PERFECT PLACE for this wedding as we are afraid of the total destruction of our beautiful environment. The Sea has a fast growing cancer made of islands of plastic the size of Texas. She is suffocating from gasses caused by our pollution. Glob- ally, 90% of her large fish have been wiped out. She’s overheating. Her reefs have been brutally destroyed. She’s being raped and… Need we go on? And we simply can’t live without her.
LOVING THE SEA EROTICALLY takes us all deliciously deep, deep, deep inside our primordial selves. Our bodies are made largely of water so in fact we are the Sea. We hope that our guests will take vows to love and protect Sea along with us. Now let’s get wet!
Click here for the Wedding Program!
ELIZABETH M. STEPHENS & ANNIE M. SPRINKLE
We set up tables and chairs on 5th avenue (@ 27th St.) in front of the Museum of Sex. We invited experts Barbara Carrellas, Veronica Vera and Candida Royalle to join us. The five of us counseled the public about sex, love, and relationships from noon until 4:00 PM. We helped a gay Mormon man, a married couple who were tourists from India, a group of 18 year old students on a field trip, a woman whose husband had just admitted to an extramarital affair, an older gentleman whose wife didn’t want him to touch her, a lesbian couple that wanted to be polyamorous, and dozens of others. All for free.
For more Archived performances and happenings visit Loveartlab.org
We set up tables and chairs on Valencia Street (@17th St.) in front of Good Vibrations boutique during gay pride weekend. We invited experts Dr. Carol Queen, Dr. Robert Lawrence, and Violet Blue to join us. The five of us counseled the public about sex, love and relationships throughout the afternoon. We helped a college student majoring in gynecology, a bachelor party, a transsexual woman looking for a lover, a middle aged male virgin, a young woman whose own scent disgusted her and dozens of others.
Just before Annie started chemo, Madison Young invited us to perform for an event she was curating called Private vs. Public on May 19, 2005, at Artist Television Access in the heart of San Francisco’s Mission District. We loved how pleasurable, transcendental, and even creative a long kiss could be and decided we would do a public kiss for three hours straight, as gallery goers milled about. We had agreed with each other that we wouldn’t go beyond kissing, which turned out to be quite challenging. We liked how minimal and meditative this performance piece turned out to be. We called it Extreme Kiss and performed it many times in different contexts and countries.