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Boulder Creek Ecosex Workshop

Boulder Creek Ecosex Workshop

We held a one-day ecosex workshop in the redwood forests of the Santa Cruz Mountains at Penny Slinger’s goddess temple. This was a magical experience, the weather was perfect and we could certainly feel the love of the trees, the dirt, the grass and each other. We asked the trees’ permission before hugging them, we discussed “what in nature turned us on,” and we found our e(cology) spots. Then we played with our newfound knowledge. It was a deeply fun and enlightening experience that opened up new horizons for many who participated.

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Beth’s Ecosex Herstory

I have loved the Earth since I arrived on this planet although I could never find the words to articulate my unnatural closeness to nature. That is until my mid-forties. Growing up in Appalachia it was easy to spend time exploring my love without seeming unnatural. But as I grew older, I carried secret shame concerning the true object of my desire. I didn’t fit into the mandatory heterosexual scene that conscripted the destinies of my childhood companions. As soon as I could, I made a beeline to the urban gay artist ghettos in the big cities up North where I hid behind my punk lesbian identity mainly coming off as a healthy androgyne queer. But after suffering a steady stream of stereotypical jokes about Appalachian boys and their sheep, how an Appalachian virgin is a 12 year old girl who can outrun her daddy, speculations about tree huggers and criticisms concerning how unscientific ignorant old wives tales were, I became fed up with Northern homo-liberalism that bolstered its intellectual worth through tearing down others. I never felt truly comfortable defining myself as exclusively lesbian or even as predominantly queer. I had other desires that I couldn’t afford to let see the light of day. If I did I feared that I’d be kicked out of the sisterhood or my queer tribe would consider me too peculiar to even be queer. Finally, I couldn’t stand it anymore and with the help and support of my beloved ecosexual partner Annie, I mustered up the courage to claim my true sexuality. Now I define myself as a proud tree-hugging, herb loving, animal cuddling ecosexual and I will never return to any closet again.

Childhood

I was born in Montgomery, West Virginia on the banks of the Kanawha River. Montgomery is mysteriously bifurcated by the border between Kanawha and Fayette counties. Charleston, the state capital is in Kanawha County and is the financial and cultural center of West Virginia. It is the biggest city in the state. Right next door, Fayette County is coal-county and as such it wildly adheres to its own laws and culture. Poverty exists alongside conspicuous wealth, a legacy from the days when the coal barons built their houses in plain view of the tiny little miners’ shacks that made up the main body of the coal towns. These mansions expressed coal’s power as well as its desire to survey and control the miners’ whose living was inexticalbly tied up with this ancient fossel fuel. These days the wealthy coal barons don’t like to mingle with the poor so they live in gated communities, gated estates or in exclusive parts of far away cities. But there used to be a time, not so long ago when both sides could see eye other across tangible physical space as opposed to through the contemporary one-way mirrors of television or the internet to be read as statistics on the unemployment lists or stock results in the financial times pages of the major metropolitan newspapers. In 1960 I may have been physically birthed in Kanawha County, but my birth certificate lists my birthplace as Fayette and that is where I officially let go my first eco-newborn screams.

Growing up in the mountains alongside the Kanawha River, the winter, spring, summer and fall nurtured this young ecosexual from the start. The fragrance of the mountains’ forests and waters permeated my every waking and sleeping moment. My body was tuned to the cycle of budding leaves turning to dark green fully unfurled then slowly dying in oranges, reds and yellows and finally cold winter browns dropping off to rot in the emptiness that reveals the naked mountains. Even in their nakedness the mountains were laced with rhododendron, mountain laurel, dogwood, redbuds, magnolias, wild azaleas, hickory, oak, sycamore and sassafras. There were also cherry, maple, walnut and beech trees and together they all created a protective canopy over the Queen Anne’s lace, Jack in the Pulpit, may apples, ramps, ferns, mushrooms and moss. Hunting salamanders for fish bait in the fresh water creek running down off the mountain and into Daniel Boone’s Bathtub, forming swirls underneath Suicide Rock, then passing below route 60, to empty into the slow, caramel green of the Kanawha, made for some of the dreamiest moments of my childhood.

Of course as a young ecosexual I enjoyed the Earth’s bounty which entered my body through the domestic scent and taste of homemade hot white rolls with fresh butter, sweet potato pie, green beans, pinto beans cooked with fatback, cornbread, baked apples, venison, roast beef and fried chicken. These ecosensual delights were interlaced by the scent of smoke wafting from my grandmother’s woodstove and the perfume that my aunts wore to the Methodist church that my Grandfather Stephens built. My eco-olfactory memory bank simultaneously maintains deposits of the slightly acidic smells of cutting oil, coal burning furnaces, hot welding rods, cigarette smoke and diesel that gathered in the corners of my family’s machine shop in Smithers. In my child’s mind these scents were as much a part of the earth as the smells of the forest and food as they too originated in the mountains and were tied up with coal, as was everything in my early ecosexual life. The coal trucks still thunder along Route 60 on their way to pick up or deliver their heaping loads of black gold and I can still feel them before I hear or see them coming around the bend.

The shop, Marathon Coal Bit Company, was one of those places like the woods where I was allowed to roam unsupervised, playing on conveyor belts and chain hoists, watching the machinists at work on their lathes, milling machines and welding stations. Today child protective services would have had that shop shut down and my father dragged to jail for allowing a young kid to wander around in a fully operational machine shop but back then it seemed normal because that is what my family did. I loved the thick grease caked on the ancient cement floor. I loved yellow-blue red-hot welding arcs that seamlessly stitched slightly dull dark grey plates of steel together. I knew not to look directly at that bright light or I could and would go blind. The shop’s dark corners were littered with prehistoric cast off metal tailings that curled like toy pigs’ tails. These beautiful and sharp twisted bits of metal could slice your finger off or put out your eye if you weren’t careful. I loved this place filled with danger and creativity. I knew that nature, even as it was translated into industry, could be extremely dangerous. I learned to be careful.

I learned this from the machinists who worked in that shop with their dark green and navy blue work clothes from Sears and Roebuck. Their shirts all had bright white patches embroidered with Spence, or Bob or Billy in red stitching right over their hearts. They had old black boots with steel toes that paid homage to the “Safety First” signs that were nailed up arbitrarily alongside the Snap On tool-girl calendars that decorated machine shop walls. A lot of these men were missing fingers and teeth. They had gotten their education in the military or other hardscrabble schools of life and this knowledge was cellular. They could tell a story all the while machining a perfect cutting bit to within one one-thousandth of an inch. Their machining kept the mines going every bit as much as the coal miners did, they knew this and they were proud of their beautiful precision. I wanted to be able to make things like them when I grew up so I watched carefully as they told me their stories about growing up in the woods.

Mattie Mathews didn’t work at Marathon, instead he worked further down the river at the coal fired electric plant in Glasgow. Mattie was an ecosexual. He loved the woods more than anyone I’ve ever run across in my life and he passed this love along to me through his love of animals, his stories about hunting and by taking me camping. I loved nothing better than to go camping on Summersville Lake with Mattie and his wife Aileen. I began to have eco-sexual feelings on these early camping trips. First we’d hook up their little pull-behind camper in the early morning hours. Then we’d drive the 30 crooked miles from Charlton Heights, turning left at Gauley Bridge where the Gauley River meets the New River to form the Kanawha. We’d follow the Gauley up to Summersville Lake. Even though it was only a short distance from home it felt as though we had driven all the way to Europe. My best friend Smokey, who also happened to be Mattie’s German Shepard, would always accompany us. In the middle of the hottest afternoons Aileen and Mattie would let me go skinny-dipping. Skinny dipping was not only a great way to cool down but just knowing that it was kind of naughty made it even more exciting. The water churning between my legs as I dogpaddled in place and the wind on my back made me feel exquisitely alive. My feelings of oneness with nature were boundless as the minnows nibbled at my toes and I peed in the water. Smokey swam around with me and if I got tired I could grab his tail and he’s swim me into shore. I loved nature and I knew that nature loved me because the water did not let me down.

We’d fish for hours from Mattie’s little motorboat on the calm blue lake. Everyone kept at least one fish and sometimes two as the fresh water nurtured the bass, the bluegills and catfish to full maturity. Whenever we caught a fish that was too small we would throw it back into the waters. Those were the lucky ones as I’ve always heard that a fish will not bite a baited hook twice. After the sun went down and the heat dissipated Mattie would fry up our fish with a mess of hush puppies, fresh corn on the cob and ripe Big Girl tomatoes. Mattie was an excellent chef. He was the first man I ever knew of that loved to prepare food and he would often insist on cooking. Mattie had a gay brother, Eli, who lived in Charleston and Mattie loved him dearly. This was the first straight man in my father’s generation that I knew who loved a gay man without it being weird. As with all things sexual, I was curious about Eli, whom I met a time or two and with whom I felt a strange connection. Maybe he was an ecosexual too. At night, under the stars of the West Virginia sky I embodied the knowledge that on the scale of ecosexual satisfaction there are few things more fulfilling than sitting by a hot fire, eating fresh bass and catfish that you’ve caught with your very own worm in the company of those you love and trust. The fish tasted wild and yummy and after this perfect meal I would sleep and sleep and sleep.

I also went on the farm in Virginia. My grandparents lived on the farm about three hours south of Montgomery. It was near the little town of Hillsville, Virginia, near the edge of the Blue Ridge Mountains overlooking North Carolina. My father purchased this farm for my mother’s parents because my grandfather Marshall could not hold down a job due to his drinking. This was before I was born. In retrospect I think my Grandfather was an ecosexual too. Some ecosexuals tend to be high strung and nervous and sometimes their ecosensitivity leads them to alcoholism. I say this because alcoholics are very, very sensitive and deeply feeling creatures who drink to excess to try to stave off some of the dark pain and sorrow that permeates the world around them. Ecosexuals are tuned into nature at a level that is much more connected than the internet and more meaningful than all of the other modern conveniences in our contemporary consumptive society. Some Ecosexuals drink to cover their shame around loving the earth too much. Ecosexuals have also been known to drink to excess or take too many drugs in order to have ecstatic experiences in their quest to become even closer to nature. This is fine for ecosexuals who do not have alcoholic proclivities but for those ecosexuals who might be genetically or emotionally inclined to addiction, enhancement of their innate love of nature through the use of drugs or alcohol can be a daily game of Russian roulette. Luckily, becoming a farmer and working with nature on a daily basis helped my Grandfather Marshall stop drinking and ruining the lives of those around him. By the time I was born he was as sober as any alcoholic can ever be, which is to say that he quit drinking though his own love of nature and through daily connection to the earth. He became a loving a productive ecosexual farmer and I worshipped the ground he that he planted corn, beans and alpha-alpha on.

My Grandfather helped me discover my own ecosexuality although I was too young to share that experience with him at that time. I knew that I was an eco-sexual was when I found myself delighting in the dirt under my fingernails gotten from digging around in my grandfather’s earthworm farm at the age of four. I loved the rich, black loamy dirt that the earthworms made with their shit. I loved their slimy purple pink ribbed bodies when I picked them up. I loved them more, especially after I learned that each individual earthworm contained both male and female reproductive organs. This seemed like a perfect way to be in the world, self contained, hermaphroditic, slimy and great fish bait.

Somehow my father and his brothers were able to keep their business going throughout their own drinking careers. This probably had to do with the nature of the Stephens clan, they backed each other up so that Marathon Coal Bit Co. would stay afloat no matter which individual Stephens was sinking at any given moment. The Stephens family was rhizomic and they took turns sinking and then bobbing back up to the surface like a well-choreographed aqua ballet or that Laurie Anderson song about walking and falling. Witnessing adult lives in various cycles of success and failure throughout my childhood taught me the importance of collaboration and support. It taught me that some issues such as ecosexual liberation are just too large to take on alone.

I loved everything about the farm. I even loved the chores that I was expected to do as my part of my familial responsibilities. This was where I learned to face my fears while enjoying the sexual thrills these same fears sometimes provided. This game seemed to mostly play out around my own fears of nature. My grandmother had two huge Chinese geese who loved to chase me. They would flap their enormous white wings while honking their snapping black, red and gold beaks as loud as the warning blasts of a coal train approaching a railroad crossing. These geese lived down at the pond and I knew that they savored the chance to poke out my eyes and eat them like two little mealy grubs. Whenever I visited my grandparents I had to feed those evil monsters as part of my daily chores. As a kid, there was nothing more thrillingly terrifying than bringing them a bucket full of goose feed, knowing that they were going to charge me as they always did. They’d charge, I’d spill their food on the ground, and then I’d run for dear life back to the farmhouse where I’d collapse on the porch gasping for breath and giggling like an idiot at the triumph of making it back alive. Even though at the time I thought my grandmother was trying to get rid of me, I know now that she was simply giving me guerilla ecosexual training. Ecosexuals must learn to deal with their fears of nature in order to protect their lover the earth, especially in the face of true adversity.

Sometimes I would sneak down to my Grandmother’s tomato patch in the afternoon while she was napping. It was forbidden to pick any of her tomatoes unless she had specifically requested a tomato for a salad or cheese sandwiches. I knew that if I ever got caught sporting unauthorized tomato stains on my shirt, or sticky tomato fingers, I’d get a spanking. I had to be careful sneaking through the tomato patch in the hot Virginia sun in order to carefully select the one, almost too ripe, tomato that was ready to burst out of its own skin and spill its life blood on the red clay below. I would take my time sneaking over to the reddest, plumpest tomato, careful not to disturb any of the other plants much less leave any trace of having been there at all. I’d pick my tomato and reverse my steps to make a careful exit imagining that I was a Native American scout, leaving no trace. Upon exiting the garden, I’d run to the hay barn where I had stashed a special cardboard shaker of salt and I’d have my way with the sweetest, most succulent big red tomato around.

I knew that I was ecosexual when I realized that I preferred to be lying on my back in a field surrounded by the tall alfalfa grass right before haying. Lying there with the sun on my face just gazing at the sky. Protected from the sight of others by the tall waving grasses created a completely electric charge that could not be turned off by anyone. Lying in a ripe hayfield with a stalk of alfalfa between my two front teeth studying the clouds, watching them turn into unicorns, lover’s faces, breasts, continents, letting them carry me away was a beautiful waste of time. In those moments I melted into the earth. I was nature. I was eco-static.

I wasn’t interested in having sex with other people until I was almost eighteen. I thought boys were gross and stupid in their pimply adolescent fake adult bodies. I’d much rather have a high spirited pony between my legs. I knew that I ecosexual when I had an out of body experience galloping through the mountains on a fast, sweaty, sure-footed pony. Not caring about anything as I flew, I was one with the animal beneath me. I just egged that pony on and she went faster than the wind. Wrapping myself around animal body, hanging on for dear life-hands in mane, reins let loose, legs gripping for all I was worth. My heart was in my throat in rhythm with the drumming of hooves on the ground and the world was a watery blur. The slow down, the cool down was a bit of a dream and when I came back to my body I was surprised to get off and walk away as a separate creature.

I preferred the company of animals to that of most people. I often still do. I grew up surrounded by dogs, cats, birds, snakes, gerbils, hamsters, cattle, goats and horses not to mention the deer, bear, possum, raccoons, skunks, groundhogs, squirrels, fox, coyotes, bobcats, rabbits, field mice, hawks, bob-whites, whippoorwills, blue jays, robins, barn sparrows, pheasants, turkeys and crows who inhabited the woods the fields and the riverbanks around me. Animals have a live and let live or kill for survival attitude that seemed more honest and much less emotionally complicated than the world of my parents and grandparents whose pain I didn’t understand and yet seemed destined to inherit. After my mother died when I was seven I began to realize just how complicated human relationships could really become. This knowledge was not accompanied by any useful self-help or psychological tools.

My ecosexual reverie was further sullied by my family’s expectations that I should increasingly learn to embrace societal norms as laid out in Readers Digest, Life Magazine or on the Ed Sullivan show. This all added up to my being expected to turn away from my beloved Earth in order to begin the process of becoming a well-behaved young lady who’d be eligible for marriage someday. The notion that I was supposed to abandon my ecosexuality and embrace straight culture only added fuel to my anger toward my family that had first flared when my mother died. I became increasingly volatile after my father remarried and after a couple of serious altercations with his wife, my anger raged out of control. My father sent me away for two years to the prestigious all girls southern boarding school in Virginia, Chatham Hall.

Unbeknownst to almost everyone else, and especially to the school administrators and my family, Chatham Hall was a hotbed of eco-activity. It was an ecosexual nunnery of spirited young women and we econuns loved nothing better than to go out into the hay fields, strip naked and commune with the earth, the sky and the water. These explorations of nature were accompanied by parallel explorations of the spaces between the physical and spiritual worlds. With the aid of marijuana, MD 20/20, a few Quaaludes, and a little acid we created visions of an ecosexual revolution where we would one day be free of the rules that bound us to our parent’s expectations. We spent hours naked together under the sun. We considered ourselves the more artistic students although others viewed us as the bad girl clique. I don’t really know what the other, better-behaved girls did together. I suppose they went to a lot of student council meetings where they prayed for our souls while planning to kick us out for breaking the rules. It was an Episcopalian school after all. But we, the closeted yet obviously ecosexual nuns, worshipped nature, drugs and art. Somehow this brought me great solace. Chatham Hall is where I learned to party like the rich girls who surrounded me. There were girls there with ecosexual names like Weasel, who heralded from families who owned the last of the great southern textile mills and sported mottos like, “Our blankets cover a multitude of sins.” It was our sin of imbibing sacred and illegal substances that resulted in the expulsion of many of the econuns from the halls of Chatham Hall. I for one, never got caught.

This both did and did not serve me well. I was able to continue to insulate my emotions around the issues that I was too young or fragile to handle while fortifying my anger in preparation for my eventual departure from the south. I ended up in Boston (after a quick detour to Alfred, NY) where I joined ranks with a bunch of lesbian punk rocker addicts and fellow alcoholics. It did not serve me well in that it was during this eco-nun period that I stopped being able to imagine a day without doing some mind-altering substance. I was taking communion all of the time and alcohol was by far my preferred drug. I sometimes regret that I didn’t know that I was an ecosexual lesbian when I attended the all girls boarding school. If I had known, I might have come out of the closet sooner than I did. I sometimes think that if I had only known then what I know now that I might have even gotten a rich eco-patroness as well. Although as I’m reading Derrick Jenson’s book Endgame I’m realizing that even this ecofantasy of how my teen years could have gone is a delusion. In order for the rich to stay rich they have to invest in the destruction of the environment in order to keep a steady supply of natural resources feeding their wealth. Getting hooked up with a rich girl from Chatham might have been the end of my own ecoconsciousness. Luckily, I managed to escape that particular fate.

After this bizarre stint at Chatham, I decided that I never wanted to go to school again so I moved back to the family farm. Some of my friends from Chatham would come visit me there and we would party like the exosexual animals that we had become. I had the pleasure of turning them on to moonshine, that fine homemade brew made from corn mash and that is nothing short of liquid LSD. We’d drink until we were crazy and run around in Dionysian ecstasy. It was extremely liberating until we woke up the next day not remembering exactly what the gods had led us into the night before. The best cure for any remorse was to simply get drunk again.

I fucked my first boyfriend under the full moon in the apple orchard on the farm in Virginia when I was eighteen. We were just playing around like the two randy young animals that we were. He Pan the horny goat and I was a wild Appaloosa. Once we started we loved to fuck in the barn, out in the fields, in the middle of the day, middle of the night, anywhere and every time we could. We fancied that we were in love and we were undoubted in deep lust. The only thing that could stop us from our wild animal escapades, especially when we first hooked up, was my father. He would come to Virginia on the weekends to get away from his work and to check up on me. My father accidentally encouraged my ecosexual proclivities. He hated Jimmy so much that I knew he would kill him if he ever discovered that we were screwing like two big rabbits in heat. So when Dad was around, I warned Jimmy off. As I look back many, many years later, I’m sure my father knew exactly what was going on. Maybe he didn’t mind as much as I thought because, as a fellow ecosexual, my Dad enjoyed sex as much as I did and maybe more. It’s just that we couldn’t talk about things like that. Although after I did come out to him as a lesbian, (I couldn’t bear to tell him that I was an ecosexual) we’d sometimes compare notes on the women we’d watch on the beach while sitting together outside after he had retired to live in Port Charlotte, Florida.

Upstate New York/Boston/Rutgers

I stumbled onto my first lesbian lover because of her sculpture. It was made of mud and hay and I smelled it before I even saw it. I’ll never forget, a little mud lean-to structure sitting in the middle of a dark brute caste cement modernist building in Alfred, New York. Mud mixed with hay, and it smelled delicious and reminded me of the mountains for which I was terribly homesick. My attraction to the piece was magnetic and I knew that I had to meet the person who made it. It was almost as though I knew that I would fall in love with that person but I never dreamed that it would be a she and that she would be one of the loves of my life. Mary was an ecosexual too, although at the time we both thought we might be lesbians. Well, we didn’t really know that for sure either. We both had southern boyfriends and both of the boyfriends would come up and visit us and bring the dogs. Separately of course because they didn’t know each other.

My boyfriend Jimmy would drive up from Virginia to visit me. He’d bring my dog Georgia and he had one of her puppies who he had named Roxanne. Whenever Jimmy came up I would exit my dorm we’d go camping up in the woods about a from campus. We camped like this from September through November, and even though it was cold as hell in upstate New York. We loved being outside with the dogs and wanted to be able to sleep together, fuck, talk and play music without any interruptions. The dogs provided great company as well as heat and protection. I don’t remember whose land we were camping on, as I think of it we were probably trespassing on someone else’s property but at that point in our lives the world was ours and could camp anywhere we wished. Jimmy really wanted me to marry him and he would ask me every time he came up but I was beginning to have an affair with the woman who had made the mud sculpture. I told Jimmy about Mary just as December rolled around. It had gotten too cold to camp and Jimmy gave up on me marrying him. He gave my dog to a mutual friend to take care of until I got out of school for the summer. That was the last time we ever spoke.

That first semester of school, Mary and I would make out and hang out in between going to classes during the week. We’d compare notes on our weekend dates with our boyfriends. Eventually she asked me to spend the night with her. Learning to fuck and be fucked by another woman was one of my favorite ecosexual educational projects. After awhile she also broke up with her boyfriend David and I moved into her apartment. We partied a lot and drank like fish. We used to also drop quite a bit of acid. Dropping acid out in the country was one of my favorite eco-trippy things to do in the entire world. We would drop a hit and then go wandering around outside. The acid made everything glow Technicolor, it was as if I was wearing special 3D sunglasses that added a magical glow to every single thing as the world’s true aura in all of its multicolored glory had just been revealed to me for the very first time. It was spectacular and it was a turn on which led to more lessons in lesbian sexual techniques.

Mary got kicked out of graduate school at the end of the year. She decided to move to Boston and I decided to follow her. I think that it was in leaving the countryside and moving to the city that my drinking really took off. Although I found Boston to be very exciting, I also thought that it was mean spirited and repressed as hell. Things weren’t going so well with Mary and by the time she decided to go back to graduate school in St. Louis, I wasn’t going to follow her there. She left and I stayed in Boston. It was during this period of time that my separation from Nature was getting the best of me. I reached the depths of my alcoholism fueled now by cocaine. It was the eighties after all and being an ecosexual in the city was considered to be passé. I drank to drown my sorrow at being surrounded by tons of concrete and friends who cared more about lesbian separatism than they did about art or environmentalism. I was miserable. Luckily two drag queens decided to drag me to AA. They took bets on whether or not I’d be able to get sober. I’m not sure which one bet on me and which one against but somehow, against all odds, I was able to stop drinking. This probably had to do with the fact that I was so terrified of each one of them that I figured if I just did what they said then they wouldn’t talk to me more than was absolutely necessary.

My next significant relationship was sealed when this hot woman who I had last seen at the skuzzy lesbian bar called the Marquee caught my eye at the AA meeting Crossroads on Tuesday nights. After the meeting Fredericka invited me to go apple picking with her. It was when we were both up the same apple tree that she revealed her gift of being able to pick apples with her toes. Being the latent ecosexual that I was, I was hooked. She picked apple after apple, as I got more and more turned on. After neither one of us could take it any more we climbed down the tree and took a roll in the hay that turned into a three-year relationship. Fredericka was fun when we weren’t in some fucked up power struggle. She too had ecosexual tendencies and must have sensed that we could explore them together.

After our apple picking sex date the next amazing ecosexual adventure took place in Mexico. I had never been out of the country so this was my first trip to another country. I loved it. We didn’t have any money so we hitchhiked or took buses all of the way around the Mexican periphery beginning in the Yucatan. We did the usual tourist trek from Merida through Chichenitza and then to Tulum. At Tulum we rented a cabaña with a thatched roof for six bucks a night right on the beach. This was the most ecosexual hotel I’ve ever stayed in before of since. There were no bathroom facilities, we shit in the jungle like a couple of bears and we bathed in the ocean. We slept in hammocks, which made it hard to have regular human sex so we practiced having mobile monkey sex. At least that’s what we imagined we were doing on the swinging hammocks in our cabaña by the sea.

We stayed in Tulum for a couple of weeks because it was so cheap and the ocean was extraordinarily beautiful blue green field with white caps dividing it from the sky. We ate very cheaply at the little restaurant, situated under a thatched roof a few hundred feet down the coast from our cabaña. They served perfect ecosexual fare like fresh fish, scrambled eggs and fried papas. It was simple but perfect. We’d often chase our food down with the not so ecosexual coca-cola or aqua mineral. Sometimes we would even brush our teeth in coca-cola. The amazing warm blue ocean held us like the two babies that we were, soft and buoyant in its liquid arms, its eco-oceanic arms.

We met Carlitos Nin at the restaurant in Tulum. He said that he was the nephew of Anias Nin, that in fact he claimed that she was the first woman that he had had sex with. This was the first person who I’d ever heard talk about having sex with a family member and it seemed as normal as sex with a stranger. Carlitos said that Aunt Anais had taught him everything he needed to know in order to be a good lover and he had no shame. He was an older distinguished looking man who turned out to be filthy stinking rich from the exotic timber plantation he owned and maybe some family money thrown in as well. I’m not sure about that last fact. I’m also not sure why he stopped by the little restaurant in Tulum as it was in the middle of nowhere, but he was taken with Fredericka and me. He immediately set about picking us up. Then, like now I was an ecosexual who was interested in adventurous monogamy. I mean we are all part of the same system are we not? Plus Fredericka and I hadn’t had a shower in a couple of weeks and we were in dire need of one. When Carlitos invited us to come with him to the town (which he owned) we agreed to go with him. Everything seemed ok as both he and Fredericka had gone to Yale. Now as I think of it, I realize that we were crazy. He had also worked for the CIA under George Bush Senior with whom he had been classmates at Yale. Basically Carlitos had been a cold-blooded hit man for the CIA who resigned when he realized that George Bush was a far more ruthless murderer than he could bring himself to be. But he sure was sweet to us. Carlitos bathed us in his shower, then Fredericka and I played around in bed for a while Carlitos watched. It turned out that all he wanted was to watch two young eco sexual lesbians make love and that was fine with us. We had great sex with each other while he watched, amazing what an audience can do for one’s performance. This was the first time I ever realized this and it was fun. Afterwards, Carlitos fed us a beautiful traditional dinner before sending us back through the jungle to Tulum in a cab.

We left Tulum shortly after our adventure with Carlos Nin and we proceeded to travel in a southwestern direction to some of the other Mexican ruins, Pelanque, through Chiapas and on to Oaxaca. Oaxaca City was beautiful but it was the Pacific coast of Oaxaca that seduced us both. We stayed in a little town south of Puerto Escondido called Puerto Angel. Here we daily walked through the jungle to swim in the powerful, clear blue Pacific. At night we would eat at either the crazy Italian’s fish restaurant perched high on a cliff overlooking the sea or at the Zen Buddhist vegetarian guesthouse in the jungle. I always wondered how they got their tofu shipped in because it seemed so far from any supplier,.

California-teaching at UC Santa Cruz, living by the ocean

The Seven Year Project

2005 First Year-Survival, Security-Cancer perhaps caused by pollution-

2006 Second Year-Sexuality, Creativity-would later lead to the idea of Ecosexuality-Moved to Boulder Creek.

2007 Third Year-Power, Courage-began to initiate a Systems based Environmental Art PhD

2008 Fourth Year-Heart, we married the Earth and formally became Ecosexuals

2009 Fifth Year-Throat, communication, married the Sky and Sea, Entered PhD program at Davis

2010 Sixth Year-Third Eye, intuition, married the Moon and Mountains

Seventh Year-Crown, enlightenment-start an institute, finish classes at UCD

West Virginia

Akumal

We are on a writers’ retreat in Akumal, Quintana Roo, Mexico right down the coast from Tulum. This area is one of the most beautiful places I have ever been. Our current lodgings are quite comfortable and serve our writing well. Not to mention that Beth Pickens is cooking us the most delicious evening meals in all the land. My previous stay in Tulum felt more ecosexual as I was much closer to the elements but I didn’t know that I was an ecosexual then and so in some ways it was wasted on me. Now I understand more clearly who I am as I write four stories above the ocean in apartment ocho, listening to the ocean and the laughter below. When I desire I can come down from my perch to enter the sea for a delicious warm green blue swim under the enticing cloud laced blue-grey blue sky. From up here the horizon makes a perfect line across the space where the ocean meet the sky, where the Earth curves toward the Caribbean, in the direction of Europe. Europe that place that centuries ago sent its conquistadores to destroy this culture and steal its resources and enslave its people. That occupation continues even as Esther cleans this apartment and Ramon sweeps the stairs while others whose names I don’t even know rake the beach in front of Luna Azul on a daily basis. Esther even carries out our used toilet paper. As Jensen says civilization depends upon being an occupying force. But the earth resists in its beauty and although the economic privilege that our lodging represents is a far cry from the lowly cabaña Fredericka and I stayed in on the Tulum beach twenty years ago, I now feel even closer to the Earth than I did then. I realize how high the stakes are around keeping our planet healthy, happy and alive or being able to at least salvage what we still have. This morning walking on the beach, I turned to Annie, my ecosexual lover and partner extraordinaire and I noted that it felt as if the ocean was licking me over and over, again and again with her big frothy tongue. It was a gentle turn-on that I could experience forever. I felt inspired to write a watery equivalent to our vows to the Earth.

We promise to love you until death brings us closer together forever.

We are consecrated to you, Earth, through this dirt that we will become.

 

As I listen to the ocean going in an out later I feel more than a little sad at all we have done to destroy those magnificent and brave waters and how we have not only dominated the oceans but the people who have made lives beside the seas for centuries, like the Mayans who sweep and clean this apartment daily. In spite of this, they greet us every day with a warm and friendly “Buenos Dias.”

We did make vows to the Sea but now feels like a kind of shotgun wedding, less well planned-or not so much less planned but more chaotic as we our well-laid plans couldn’t have anticipated the crazy scene we encountered in Venice. In spite of the multiple breakdowns in communication that we suffered, our Blue Wedding to the Sea turned out beautifully, just not exactly as we had planned. In retrospect it was hilarious and Michelle Tea caught the gist of it beautifully as she sat in a café in xxxx writing her Believer article about our crazy Venice Wedding. But this morning walking along the edge of the Akumal beach, the ocean gently licking my feet, ankles and further up my legs I was thinking about what Justin Chin had mentioned as we were swimming together. He said that he had flown home just after the Tsunami hit Indonesia a few years ago and how the ocean had swept so many human bodies out to sea. The following year the seafood catch was more bountiful than it had been in a long time and the fish, shrimps and lobsters were huge. For some reason (for obvious reasons) nobody ever talks about this. I wouldn’t mind becoming fish food when I die. This would seem like a very ecosexual thing to do with ones dead body. By fish or by worm, entering either part of the life-cycle through death is ok by me. I’ll have to remember to change my will and get buried instead of getting cremated. I’ve heard that there are eco funerals, which are really old fashioned burials where ones body simply returns to the earth to decompose naturally. Returning to the earth would be a much slower more productive way of decomposing. Decomposition is a much more useful and less polluting process than going through a commercial incineration. I don’t want to be embalmed either because then whoever eats me will be poisoned by the formaldehyde, not to mention the earth itself. I am tired of continuing to participate in the cycles of poisoning that are killing us all. But it is difficult to decide where and how to get off and change the systems that control us all. Is simply declaring myself to be an eco sexual enough? Obviously not but it is a move, a move in the direction that feels right to me.

Eco Sweat Lodge

 

Seven of the nine of us Radar Lab writers, plus our guide Antonio went to do a Mayan sweat lodge the other night. For some reason there seemed to be a lot of fear among the group before hand. I’m not sure what this was about, but I selfishly didn’t care because it was my honeymoon with Annie. We were celebrating our first kiss nine years ago. I’d never done a sweat lodge before and maybe I should have been scared too. But this is one of the things that Annie has wanted to do together since we met so my anticipation was inspired by her desire. It seemed like a very spiritual thing for two ecosexuals to do with each other and a potentially bonding thing for all of us who went together to experience and hopefully enjoy.

Two young Mexican men drove us there in a huge green van that looked almost military. I’ve noticed that the vans here in Mexico are bigger and more business like than passenger vans in the US. On other trips I’ve taken to Mexico there has been a more obvious military presence in public spaces. But here in Akumal there is little of that. Akumal seems like a fairly well off resort where the mechanisms of control can afford to stay hidden. We all piled into the huge green van and drove down the highway, took a U-turn, headed the other direction listing to Cindy Lauper and Madonna on the radio until we finally turned off on a dirt road and headed straight through the jungle. Then some guy from the ancient band Boston stared singing and everyone except me knew the words. They engaged in a discussion about what this song had meant to them at the point in their lives when it was first released.

I looked out at the jungle and marveled at how impenetrable it looked but in reality how penetrated it had become. The sandy dirt road was in pretty good shape, as good in fact as the paved road that runs from the village of Akumal to Luna Azul where we are staying. Our driver knew how to dodge the pot-holes. After awhile we arrived at an amazing compound where discarded toilets, ancient looking stone-walls and equally ancient looking stone structures co-mingled with thatched cabañas of differing sizes and seemingly different purposes. It was a magical place were numerous dogs wandered around lazily. Their leader was a growly dachshund with enormous balls. A skinny monkey was swinging wildly in a tree. He looked quite happy swinging around until I noticed that he was chained to a thin wire run that gave him some leeway but would not allow him to escape into the jungle or go anywhere else feely. That made me sad and when this monkey charged Elyssa, I had an inkling of the kind of rage that might have propelled him towards her. If I were a monkey chained to a tiny tree in full view of the jungle that used to be my jungle but hadn’t been for centuries now, and someone approached me, someone who might have been in part responsible for taking my jungle away. I would charge them too.

This is part of the challenge of anthropomorphizing nature through my own ecosexuality. Can I assume to be able to enter into a sexualized relationship with the earth and the earth’s creatures, plants lands, waters and sky? How do I know what a monkey really feels, or whether it feels feelings like I feel feelings? How do I know what or if the earth feels either? Humans can take measurements of the phenomenon that we think are worthy of measurement such as the ability of fish to feel pain, the ability of life to survive in the sea, the amount of chemicals that we have ingested via water, air, fish or fowl we ingest but at the end of the day is this just scientific data? What about the spiritual, the emotional and the communal meaning of life on the earth and what does the earth itself experience?

Our leader, the macho wiener dog shaman, led us to the general location of the sweat lodge while watching every move we made. As we got closer we began receiving spoken instruction. Luckily Maggie Nelson was able to translate the human shaman’s salutations, instructions and invocations for us. But before the real ceremony began we \ each went to the bathroom and did what we needed to do. I must have been a little nervous as I took a big poop like I always do before a performance. This is my body’s way of cleaning itself out in order to be free to accomplish the more important work at hand. My body always knows when to do this. It feels good, although I will have to admit that I am still getting used to wiping my butt and then engaging with the toilet paper until I can get it into the wastepaper basket. In fact, I try to perfectly fold the toilet paper so that my shit is hidden. It’s similar to the way that I deal with my emotional shit. Our super effective toilets in America encourage us to wipe and throw away our used shitty toilet paper without ever having to think about what it means, where it goes or how much we waste. We just unconsciously flush and flush and flush, until all traces of our shit disappear out of sight. This is one of the so-called benefits of modern civilization; we don’t have to see or think about our shit. Sometimes I can’t help thinking about shit through, especially because I live in a city. All of the shit (not to even mention the piss) produced with its accompanying toilet paper plus the water that people waste is enough to provoke some real shock and awe if only we’d take a moment to calculate its volume. Ecosexuals like to ponder such things.

In the city of San Francisco where the population is about 750,000 within the city limits, if each individual shits once a day and wipes using two or three (we’ll say two) wads of toilet paper per dump, that equals 1,500,000 wads of shit stained toilet paper that travels into the San Francisco sewage system daily. 10,500,000 wads are flushed away each week and 546,000,000 wads of soiled toilet paper are flushed away per year. This is begins to resemble another version of our national deficit in the form of a whole lot of shitty paper. The Mexican system of throwing ones toilet paper in the wastebasket rather than flushing it into who knows where seems more sane than our own. It gives whoever is in charge of waste disposal more options concerning environmentally friendly methods of disposal. At the very least it provides options that might be less destructive than just mixing the toilet paper up with all the other wastes and clean water only to have to either separate everything out later or treat the sewerage with chemicals or both before releasing some of it back into the water supply. I’m just presuming that I have any idea what the SF sewer system does in order to handle the city’s shit as I don’t really know but I am curious. They could compost it like the young activists who taught us about composting toilets did at Mountain Justice Summer Camp earlier this summer but I’m certain that with the budget crises this is not a financially viable option.

I like the sign that is situated right over the toilet paper holder in the bathroom adjacent to our double room in Ocho. It reads:

PLEASE TO NOT

PUT PAPER IN

TOILET

W STA BA KED

IS PROVIDE

When I first sat down to use the toilet and saw this small sign on the wall in front of me, I didn’t realize that some of its letters had simply fallen off. I thought that I was being given ancient Mayan instructions about how to go to the bathroom. When I finally realized that I was simply being instructed to put my toilet paper into the wastepaper basket, which was provided, I felt a little sheepish that I hadn’t gotten the message on first read. I had enjoyed the feeling of receiving ancient instructions so much that I decided that I wanted to continue pondering this little blue and white message as if it were in fact an ancient and perhaps sacred epistle from the past. I like the fact that taking a piss or a shit is an act that joins us all together across race, gender and time.

This spring, on a man-made valley fill near Whitesburg, Kentucky I learned that it is harder to compost shit if there is wet material like pee or water mixed into it. Shit has to be as dry as possible with no toilet paper mixed in either for effective composing. Sawdust should be mixed into the shit as well as lime to help it decompose into rich loamy dirt. Then the whole thing gets covered with hay. That both the Mountain Justice folks and the Akumal Mayans request that we not mix our toilet paper with our shit forces me to actually think about my shit for a split second before hiding its traces delicately in the folds of the toilet paper that I then gingerly place in the waste paper basket. This gives me hope, hope for what I’m not exactly sure because it seems like such a small gesture in the face of the huge wave of corporate devastation that continues to take place on an ongoing basis against my lover the Earth. Maybe I will request that we start separating the toilet paper from the toilet at home. Then, I wonder if we are supposed to put our used toilet paper into the blue recycling bin or the green compost bin. I’ll have to call our garbage company, which recently changed its name from Sunset Scavenger to Recology. Does this name change make our garbage men ecosexuals too? I make a note to myself as I fold up my soiled toilet paper, put it in the waste paper basket and go outside the bano to wait for either the dachshund shaman or the human shaman’s assistant to lead us to the sweat lodge. As soon as Tamara joins us we go.

We moved to the sweat lodge as a group. The man who first greeted us when our van arrived led us to the shaman. Although I had originally thought that he was our shaman he wasn’t. Everyone appeared to be feeling more calm although later when we replayed our sweat lodge experiences this wasn’t the case at all. Some of us had applied mosquito repellant to stave off the blood thirsty mosquitoes while others decide to enter the lodge in a more natural state. Annie and I decided not to wear our bathing suites at all. This felt right and when we finally got to the real shaman who gave his permission for us to be naked. He was clad in a white outfit, white pants and guyubero shirt. His skin was dark and his hair jet black. The shaman was waiting for us in the middle of the circle. There was a young boy with him who was also assisting and who may have been the shaman’s son. Perhaps he was in shaman training, at least I would like to believe that this tradition is handed down from generation to generation but I have no idea as I would also have liked to have remained ignorant of the large group of German tourists who were in line close behind us for their own sacred sweat lodge experience. Well I guess even shaman’s have to make a buck. this shaman was beautiful as he stood by the impressive bonfire that he had created. At first I thought that the fire was made entirely out of huge tree limbs that I saw laying scattered about off to the side. But as time went by, I realized that the purpose of this fire was to heat the lava rocks, which would then fuel our sweat lodge. This heat in turn would remove our fears and other negative impurities. This fire, our fire was an ancient fire and it along with the glowing rocks embodied our ancestors who would shortly guide us and keep us safe as we performed the sacred sweating together.

But we before could enter the lodge itself, we naturally had to learn a thing or two. We had to thank our ancestors and purify ourselves. We had to learn how to blow the conch shell. The first male assistant led us into the first stone circle. He instructed us each to pick a conch shell from the ones that were sitting on the low circular mason wall. When we had all located ourselves around the inside perimeter of the circle, with our chosen shells, he demonstrated how to properly blow into them making a low mournful sound. We all tried to mimic him but our amateur attempts sounded really funny. Everyone was laughing nervously. I was reminded of the Dinwiddie Presbyterian Church on Snake Creek Road near our farm in Hillsville, Virginia. Sometimes, my father would take me and my little brother to church there. The farmer’s wives served a delicious harvest lunch after church and I always knew that that was the real reason we attended. The Dinwiddie congregation shared the same type of musical talent that we displayed on our first attempts to make a beautiful sound come out of the conch shells. We sounded hilariously terrible. I was surprised that I was eventually able to get my shell to sound half way decent. I even had to admit to Michelle Tea that I had been a clarinet player in another lifetime. I had some prior experience with trembling my lips together, just the right way in order to coax a solid sound out of the organically shaped instrument. We practiced our conch shells in preparation for calling in the spirits when the time was right. I was feeling excited about going deep within.

But we still had to thank the spirits. The Shaman gathered us in front of his alter, where there were many objects, burning incense, statues of various Mayan gods, pieces of black lava and other objects that I didn’t recognize. As our shaman spoke in Spanish, Maggie translated. He even threw in the Mayan phrase for thank you, which we all repeated as best we could while he conjured his gods and objects to guide us and to protect us as we shed our masks of negativity and fear. Then our shaman announced that we were all going to drink a very special honey flavored wine from a sacred tree. A heavy pregnant pause filled the air as four of the seven of us standing in this sacred circle are sober alcoholics. As Maggie translated we looked at each other in terror. This magic mead was intended to protect us from any demons that might be lurking about the sweat lodge, but alcohol itself was our number one demon, more baffling and cunning than any other haints we could imagine. Maggie started to explain that we had a problem when the Shaman, who seemed to be able to read our now activated masques of fear, assured us that there was no alcohol in our drinks. We all believed him and proceeded with the ritual. His assistant handed us all hollowed up smooth green shells which he filled the shells with the demon resistant liquid. We refrained from drinking until the Shaman fed the first drink to the fire. He did this in a beautifully ceremonial manner. Then we drank our honey mead and it tasted sweet and delightful, a true ecosexual nectar.

Next we were asked to take up positions around the circle and blow conch salutations to the four directions. We did so, our conch horns sounding much better than they did during our practice session. Our shaman had a huge conch shell. It was extremely beautiful and sexy in a ritualistic kind of way. The power of the sound that his conch emitted almost felt as if we were going to make a human sacrifice. Maybe the stories of the ancient Mayan human sacrifices at places like Palenque or Chichenitza were what everyone’s’ initial fears around the sweat lodge had been about. Blowing these conch shells felt as mysterious and primal as a any low deep sounds made during orgasm or animal sex. What could be better than summoning the spirits on the way to experience the unknown? The conch music felt as if an ecosexual vibrator was caressing my entire body. I was excited.

Afterwards the shaman’s adult assistant instructed us to put down the shells. Then we were invited to enter the next stone circle. The huge, hot fire was burning brightly in the middle of this space and we could see the sweat lodge just beyond. Again, we had to be cleansed. This time the shaman traced our bodies with incense as we held our arms out in the shape of a cross. We were purified by the incense in order to enter the sweat lodge. One by one we were cleansed by the shaman’s smoke. He used a feather to spread the smoke over and around out bodies. A sensual smoke massage that gently suffocated any doubt and fear. This is an old sophisticated ecosexual technique that I have practiced before but it had never quite been like this before. I think because this time it was outside in nature. Our shaman became all shamans across eternity and his incense was preparing me to meet my fears. It was a complete turn on. One by one he cleansed us all as we entered the circle. We took our places

We were given instructions to breath through our noses. Explicit instructions (which we never would have understood without Maggie Nelson’s ace interpretation job) were given not to stand up or try to get out by oneself, as the coals were dangerous and we might bump our head on the low ceiling as we would be in a different state of being. We entered the dark sweat lodge and took our places on folded Mexican blankets that were arranged in a circle, following the perimeter of the low round building. The assistants began to hand large glowing chunks of rock through the small low door on a pitch fork. Our shaman took them with a cry and the placed them in the center of the sweat lodge. Finally, then the small low door was tightly hammered into place, sealing us off from the physical world outdoors. I felt a little claustrophobic fear slide down the back of my throat as I hoped that I wouldn’t pass out in the heat, which was beginning to get intense. All I could think was thank god we didn’t do this in the middle of the day. I was already sweating profusely. It was pitch black inside except for the glowing embers-and a strange little light in the ceiling. If anyone freaked out and needed to leave they were to clap their hands twice and wait for the shaman’s assistant to come get them. I was determined to sit through the entire ritual, even if it meant passing out and having to be carried back up to the physical world of the living.

I closed my eyes as our shaman eco-lover led us through what seemed like four levels of the ritual.

The first level was intended to transport us to get through our initial fear of the heat and the darkness. Upon completion of this phase of the ritual we received congratulations for being brave warriors. I felt good as I was still sitting upright and ready for more.

In second level we sang, The Earth is my body, the Water my blood, Air my food and fire my sprit.” Of course we sang it in Spanish and we all heartily joined in together. We sounded strong.

Again, our shaman assured us that we were brave female warriors as we continued to journey.

In the third and fourth levels we were rebirthed by water and enjoined to find our spiritual path. I saw my spiritual path as being involved in environmentalism and I knew that we were on the right path with our explorations of ecosexuality.

Our shaman threw water on us to cool us down, to wash away the last of our fear and negativity demons and to prepare us for reentry. Upon initial contact the water was surprising even though I could hear it splash on the sides of the lodge and on the bodies of my companions before I felt it touch my own skin. After the first powerful splash I wanted it more and more and when the water mingled with the copious sweat from my body it felt as if the Earth had just ejaculated all over me and I was ready.

Our shaman took good care of us and would check in with an Esta Bien through out the ritual. Each time he would call out Estan Bien? We would answer in refrain, Si estan bien.

Then he asked if we were ready to go. After what seemed like a too short time, we all replied yes, we were ready.

We crawled out slowly animal like on our hands and knees counter clockwise around the edge of the interior wall. I was next to last and Annie was last as we exited careful not to get near the glowing hot embers of the rocks in the middle. When we came out we stood up slowly. Our shaman bathed us in water sweetened with special herbs. Then we were invited to swim in the cenote. Water and fire were the stars of this ritual which took me far, far outside myself and into the spirit world. The spirits gave me strength and vision to fight on behalf of the water in the world. As we swam in the cenote I realized that it was one of the most beautiful places I have ever been, the deep water perfect, cold and calm. The deep water holding us, water babies as we laughed and cooed. We regressed to a child state, some swinging from the roots of trees that grew overhead. We were glad to have made it through the sweat lodge without passing out or throwing up from the heat, we were glad to be received into the arms of the cenote. We were glad to be taken care of by these beautiful people who then welcomed us into their wildly florescent pink green and yellow cabana for a gourmet Mayan meal of chicken, rice, beans, chilies and handmade tortillas. The chicken tasted as if it had just been sacrificed for us. It as delicate and tender and restored any strength lost in the process of the deep sweat.

Annie’s Ecosex Herstory

MY NAME IS ANNIE SPRINKLE AND I AM A SYBARITIC COUGAR WITH ECOSEXUAL TENDENCIES. I am new bride, recently married to the Earth, the Sky and the Sea, and engaged to marry the Moon. Never had I imagined that I’d be so lucky in love, or become so consumed with seemingly crazy, taboo, sexual desires. Nothing prepared me for this kind of relationship, and for this strange, new sexual identity. There is so much to learn that I feel like a total eco-virgin, sun kissed for the very first time.

Last night I arrived here in Akumal, Mexico by plane, from my home base in San Francisco, California. It is the perfect setting for a honeymoon adventure; a comfy condo apartment with floor-to-ceiling plate glass windows, which open right onto a white sand beach, a baby blue sky and a florescent turquoise-green Sea. Tropical birds sing me joyous songs as my Sky lover blows ocean-scented breaths all over my face, arms, and under my soft, slinky, leopard-print floor length nighty, which I bought special to wear on this honeymoon. It drapes nicely over my curves, and frames my abundant cleavage to perfection. You’d never know I got it at Target, unless you had one just like it.

My gut is filled with anticipation, as though I’m about to eat the ripe, juicy apple from the Garden of Eden’s tree of knowledge. I wonder will the apple send me into rapture, or be poisoned? Or both at the same time? I can almost taste it, because in truth I’m no eco-virgin at all. I’ve been ‘round the planet more than once, and its no secret that I’ve had far more ecosexual experience than most other gals my age.

It wasn’t just the great ecosex that brought me to this pregnant honeymoon moment. For years, the Earth, Sky, Sea and Moon and I were, you could say, just friends. We liked each other a lot, and had what I’d describe as an ‘erotic platonic’ relationship. We didn’t see much of each other, as I was a city girl; born in Philadelphia, raised in L.A., and spent most of my adult life Manhattan. There weren’t a whole lot of opportunities in my life for meaningful connections with the Earth, Sky, and Sea, with the exception of four wonder-years I spent in Central America, in Panama, from the age of thirteen to seventeen when Dad worked for the US Agency for International Development. Panama was a lush, jungle paradise filled with ecosensual delights. My teenage experiments with psychedelics on “Tits Beach” made for some transcendental connections with nature and its elements. It’s possible that’s where my relationship with the Earth, Sky, Sea and Moon really took hold. Or perhaps this relationship actually goes back to the womb, or further.

Since I took my wedding vows, ‘to love, honor and cherish the Earth, Sky and Sea until death brings us closer together forever,’ my love grows bigger, deeper and more Universal every day, and penetrates every aspect of my life. I’m quite certain that we will be together for the rest of my life. I would be nothing without them. On this honeymoon I expect to get to know more about my lovers and what makes them happy and satisfied. But all is not sunshine and daffodils.

Last night when I first arrived here at the condo with my luggage in tow, what was the first thing I saw in front of me? Nothing less than a huge, dreaded, killer Palmetto bug—aka the water bug—that indestructible, dinosaur cockroach. Was this a warning sign from the Universe that danger lies ahead? I’m scared. Will my new relationships work? Will I be worthy? There are issues; my fears of intimacy, old coping mechanisms, negative thought patterns, baggage from past relationships, societal taboos, not to mention the earthquakes, hurricanes and tsunamis. There were also things that happened in my childhood. Between the ages of about seven and ten my younger sister chased me with giant water bugs whenever she found them. I’d run screaming into the safety of the bathroom and slam the door. She would then put them under the door and they would crawl towards me while she laughed, taunted and terrorized me. This created some deep wounds–for which she has since sincerely apologized. A shaman-therapist suggested that in a past life I had lived in the jungle, been tortured, and when left to die my body became covered with crawling water bugs. There were maggots involved too. Will I ever be able to overcome my childhood (and past life) nature abuse?

In any case, I can no longer deny my romantic, and erotic, attraction to nature. Society does not support this kind of relationship. Look at the eco-sex negative names like “tree hugger,” “hedonist,” “beach bum.” “Pagan,” “dirty girl,” “tom boy,” “flower child”… The list goes on. We must reclaim these! Say it loud, say it proud, “I am a nature lover!” Those of us that can, must come out of the closet. Perhaps when people get to know us and realize we are part of their communities and in their families things will get better. Of course lots and lots of people don’t even realize they are ecosexual. They need to be educated. We need an Ecosex Community Center, an Ecosex Film Festival, a march on Washington to demand more environmental protections. Oh dear, here I am, working again–and on my honeymoon.

OK, so I realize that I am anthropomorphizing the Earth, Sky, Sea, and Moon—attributing them human-like qualities, the way people anthropomorphize “God.” The Earth, Sky and Sea are not human beings, and human beings are not the Earth, Sky and Sea. –Or are we? This experience is so new that anthropomorphizing is the only way I can manage to even begin to explain it. Hopefully I will find better ways to speak of these things in the future.

Here in Akumal, I’m grateful that I can share this honeymoon with my beloved, human life-partner, Elizabeth Stephens, aka Beth. She and I are walking hand-in-hand on this amazing bio-sexual adventure. We came to these life-changing self-discoveries at the same time. We fell madly in love nine years ago. For the first couple years of our relationship we desired to be totally monogamous. A couple years later we decided to practice what we call “adventurous monogamy.” We’d have erotic adventures together; like going to a neo-burlesque show and getting a lap dance, or doing a sensual massage evening with our sacred intimate, Joseph Kramer, or we’d find ourselves being voyeurs at a friend’s sex party. Things really changed five years into the relationship when we bought a little cabin in the woods of Boulder Creek, California. It was there that we found ourselves turning green– what with all the talk of solar power, global warming, recycling, … green was in the zeitgeist. We discussed it and decided to open up our relationship to become what we call ‘pollen-amorous.’– to take the Earth as our lover.

Looking back, Beth and I can see how the experiences in our lives shaped us and brought us to this–our destiny. Perhaps she and I were drawn to each other by greendar, sensing each other’s latent ecosexuality. In any case, we are glad we found each other. There aren’t too many other partners that would let their wives marry, and make love with, the Earth, Sky, Sea and Moon.
Now Beth and I want to share our enthusiasm for this kind of love, and the things we’ve learned and are thinking. We hope our story will help and inspire others like us, or help others who aren’t like us understand us, and ultimately we hope to help to protect our beloveds the Earth Sky, Sea and Moon.

WHEN I KNEW — CHILDHOOD

When I first knew that I was an ecosexual I was five. My family moved from to sunny California from dark Pennsylvania. My parents bought us a house with a sparkling blue swimming pool. I remember, the first time I jumped into our. The rush of the cold water; my heart pumping, lips tingling, toes curling, the pure body pleasure. I floated, buoyant, the light twinkling on the top of the water like fairy glitter. The sound of the splasssshhhh, then the silence of the deep end. I became one with the water. I was a water ballerina, beautiful, graceful, at peace. I loved the taste and scent of the chlorinated water. I became renewed, refreshed. Even though I knew it was naughty, I peed in the pool. They don’t call me Sprinkle for nothing.

When I knew that I was an ecosexual I was nine. My dad discovered Yosemite and he fell in love. In retrospect, my dad must have been an ecosexual too. Our family visited Yosemite several times a year. That’s when it started, between me, and the redwood trees. I liked them BIG. And they were HUGE! Big, round, hard, but soft, redwood trees. Gentle giants. I loved the scent of the trunk, like vanilla mixed with soil. I have a strong memory of coming across a redwood that had fallen over from a storm. I walked around and peeked at its freshly exposed roots. So soft, so sensuous, so sexy! I had to touch them. When I knew that I was an ecosexual I was ten. It was at night, when we were camping. My family would gather wood and make a fire. I was a Camp Fire Girl! We crumpled newspaper, topped it with kindling and lit it with a match. When the flames got going we added logs. It would start slowly, then build. Eventually the fire became raging, hot, I could feel the heat on my skin. I loved the smell of the burning wood and smoke. I could stare into the dancing flames for hours, and find so many colors; reds, oranges, yellows, even blues, greens and purples. Flames licking wood with intensity. The logs florescent with burning embers, like a painting on black velvet. I would watch until the fire went completely out. That’s when I knew.

MY GREEN TEEN YEARS

My first oral sex experience was in communion with nature, on a secluded beach two hours north of Panama City. Mathew Van Guilder Howell was a sweet older man at twenty-four years old. He owned The Golden Frog, a hippie coffee shop. I was a shy, sweet sixteen, high school student and budding hippie. We did what young people did in 1969 on their first date; a hit of mescaline. That night there was but a sliver of a moon, and the stars were only how stars can be on a jungle beach on the equator—more bright and abundant than anywhere else on the planet. There were so many shooting stars it was like a fireworks display, but way, way better. The gentle, rhythmic waves massaging the sand were filled with plankton, which made them glow in the dark with magical phosphorescent sparkle. Nature was at her most glamorous and seductive, dripping in diamonds. Van and I got naked. My heart was open and pumping, my senses aroused, and I was in love for the first time. I laid on my back, dug my feet into the sand, and let my knees open like butterfly wings to welcome the Universe in between my thighs. The splash of a wave spit on my belly and vulva. For a few timeless moments the Universe and I made an exquisite, erotic, cosmic connection. Then Van kissed his way down my body and gave me, what we called at the time, “head.” To this day Van and I remain friends, but it is the Earth, Sky, and Sea that I ultimately married.

As I think about it, my most memorable teen ecosex experiences were when I was in an entheogen induced altered state. Like when I took a hit of orange sunshine (LSD) and sat by the stove and watched, transfixed, the miracle that is water boiling in a metal pot for a long, long, long time. The sounds the bubbles made against the steel pot were hypnotic and beautiful. Like when I ate psilocybin mushrooms, buried myself up to my neck in cool sand and lay cuddling with the Earth for an eternity. Like the time I smoked opium and watched a giant sea turtle lay her eggs on the beach. Like when I ate some peyote buttons in the Arizona desert and made love with a big, erect, suaro cactus. There was no touching of the cactus for obvious reasons, but I swear, that cactus and I exchanged our sexual energies. These experiences, and a few others like them, I treasure highly and wouldn’t have missed them for the world.

MY ECOSLUTTY NEW YORK CITY YEARS

At eighteen I moved to Manhattan. Like leaving a high school sweetheart behind when one goes away to college, I just didn’t have much use for nature anymore and was just fine without it. For years and years the city satisfied all my needs. I had an exciting and happy life in the sex industry, working in massage parlors, making porn movies, doing burlesque, and posing for sex magazines. Eventually I successfully transitioned into the art world, touring internationally with my one-woman performance-art-theater shows about my life. I also became a sex educator, and the first porn star to get a Ph.D..

On the rare occasions when I did venture out of the city into the country, it was mostly to the Wise Woman Center near Woodstock. In summers women would gather there to learn “wise woman traditions” at the famous, eccentric herbalist, Susun Weed’s rustic old house and barn-like studio located in an old, abandoned rock quarry. The WWC was surrounded by numerous acres of woods, rivers, and waterfalls. There was a lake, which had a thick blanket of green algae across the top but you could still swim in it, sky clad. Gardens, goats, geese, pet spiders, insects and fairies were all part of the curriculum. It was at the WWC that for the first time I heard someone mention, in passing, the concept of the “Earth as a lover” as an alternative to “Earth as a Mother.” This grabbed my attention! My motto had always been “eroticize everything.” Sex was my thing, my path, my language. Maybe I, a big city slut, could reconnect with nature by thinking of the Earth as my lover.
The first time I went to the WWC was for Blood of the Ancients, a week-long gathering with rituals and workshops honoring menstruation. My curiosity about what such a gathering would entail led me to sign up. Women spun stories of walking into the woods, sitting on moist moss and letting their menstrual blood drip down on it as a way to nourish and connect with the Earth. Women spoke of bleeding into cotton cloth pads, then soaking the pads in water and using the bloody water to nourish their plants, and to feel earthy. While I definitely thought these practices were pretty out there, I also liked the idea of these intimate, symbolic gestures and later tried the bloody-rag-water idea out for myself for a few months on my two motley houseplants. The women all sang songs together about blood and the Earth around the campfire and in sweat lodge ceremonies. “Blood of the Ancients, flows through my veins. Forms die, but the river of life remains.” “The Earth is our Mother. We will take care of her. Hey yunga, ho yunga hey yung yung.” “Earth my body, water my blood, air my food and fire my spirit!” “The river is flowing, flowing and flowing. The river is flowing, back to the Sea. Mother carry me, a child I will always be. Mother carry me, back to the sea.” Even though it felt a bit silly, it was nice to sing about, and to, the Earth. In any case, there was no denying that shit grew like crazy all around the place.

The next summer I returned to the Wise Woman Center for Green Witch Week. Just after my green witch initiation, Susun Weed invited me to teach there. So for ten years, every summer I went and taught a four-day Sacred Sex workshop with my friends Jwala, Barbara Carrellas, and Linda Montano. I had come to fancy myself a red witch and a sacred prostitute. We taught the usual stuff about g-spots, erotic massage, sex magic, tantra, and had Sluts and Goddesses dress up and performance nights.

But on the fourth afternoon of our workshop, when the workshopees were ripe and ready, I’d give them a most unusual assignment; “go out into the woods alone and have sex with something in nature, like a tree, a rock, a cloud, or a waterfall.” I’d coach them. “Use all of your senses, smell, touch, taste, lick, kiss, rub, hump…” Sometimes I would do a little demo—like I’d lay across a hot granite boulder, kiss it, lick and taste it, sniff it, hug it, hump it, breathe it in… We’d all have a good laugh then off to the woods they’d go. Two hours later, we’d gather again in a circle for kiss and tell. “I made love with a waterfall, and it was the best sex I ever had.” “It was amazing. I got totally into this lavender bush.” “I never thought of doing this before but I had a great experience with some lichen and can’t wait do it again.” “I fell asleep by the river and when I woke up there were butterflies all over my body. It was so beautiful.” The women were overwhelmingly excited, amazed and satisfied. Of course there were always the Goddesses of Distention who held back. They just couldn’t, and wouldn’t go there. “Way too kinky.” But those that gave themselves over to the assignment agreed; nature was one hell of a hot lover. We teach what we want to learn.

In the late 80’s and early 90’s I wrote a series articles for Penthouse magazine. One was about a Native American shaman, sex magician and teacher named Harley Swiftdeer and his five-day Quodoshka workshop. He was the real deal. Harley taught me the best sex technique in the world–the Fire Breath orgasm– also known as the FBO. It’s a circular breathing technique to breathe ecstasy energy into and up one’s body and then out into an electric energy orgasm release. With the FBO one can learn to harness, build, and move sexual energy, which can then be utilized for all kinds of things; hotter partner sex, physical healing, emotional cleansing, spiritual nourishment, shamanic journeying, and more. When I saw his more advanced students all demonstrate it, I knew I just had to learn it. It took me a couple years of practicing to get the total hang of the FBO. I’d practice it at home alone or with other people who knew how to do it. But it was the day that I practiced the FBO in Central Park by the lake near the Alice in Wonderland statue, that I really GOT it and had my first big, electric, full body, blissful energy orgasm. The technique can be done with clothes on, standing or laying, and could be interpreted as someone doing yogic breathing or some sort of tai chi moves, so I don’t think anyone in the park knew what I was up to. Watching the light dancing on the water, breathing in the scent of the dirt, and the sounds of the pigeons around me were just the inspiration I needed to get me over the energy orgasm hump.

Learning the FBO was pivotal for me in my ecosexual evolution. Through my breath, some kegals, undulation, and intention, I could make love with the Earth, Sky and Sea energetically. Over the years that followed I taught hundreds of others; men, women and trans people, to do it too in workshops I called “Ecstasy Breathing” or “Fun With Breath and Energy Orgasm,” and often gave the technique a bit of an ecosexual twist.

Certainly a person does not have to be outside of a city to have good ecosex. For example, there was the time I was laying on my living room couch masturbating with my Hitachi magic wand when I looked out my eleventh story window, over the skyscrapers and into the sky when a big, white puffy cloud cruised me. Earlier I’d been reading the book Sexual Secrets and there was a quote I resonated with. “I am the sun, the moon and all the stars. There is no temple as sacred, no temple as blissful, as my own body.” I medibated on that thought and found myself fantasizing that the cloud was watching me, coming closer to me, then enveloping me in its pillowy puffs. This was very pleasurable, and triggered a series of deep clitoral orgasms, accompanied by a burst of emotion, which I call a crygasm. My favorites. As I came out of a divine afterglow, a wave of shame washed over me. Was I some sort of cloud pervert? Was there a difference between what Shere Hite told me was a totally normal recurring rape fantasy doing a live sex show with a horse, vs. a fantasy of making love with a cloud? I decided to ask the cloud, is this for real? Is this consensual? Am I totally nuts? In that moment a red helium balloon floated up into the sky and pierced the cloud, like with Cupid’s arrow. I took this to be a sign that indeed our love was real. Then before my eyes the sky darkened and it started to sprinkle. A cloud ejaculation! That was one of the best sexual experiences I had ever had, and I’d had many. For a long time I never spoke to anyone about this experience. It was a love that dared not speak its name.

Occasionally I would find people with whom I could talk about ecosex. My friend Michael L. confided that once when he was camping he had an affair with a bright yellow flower that grew outside his tent. He masturbated with, and ejaculated on the flower a couple times. When it the flower started to die from old age, it made him so sad that he ate the flower and they became forever one. My friend Andrew R. shared with me about his tree in the Brooklyn Botanical Gardens, which had a big hole in its trunk. He would sneak inside that tree, masturbate, and come inside the tree. He developed a very strong bond with the tree, a deep love. Jasmine D. a yoga teacher friend, told me about the day her boyfriend broke up with her. She was crying face down on the grass. Suddenly she felt the life force of the Earth shoot into her, which triggered a full body Kundalini orgasm, the biggest she had ever had, which was for her a profound, beautiful and healing experience. She never cried over that boyfriend again.

Although I didn’t have a name for them yet, my ecosexual proclivities continued. Vegetables were a favorite dildo; namely the classic cucumber and the occasional carrot—I admit this was before we knew about washing off the pesticides. Water has always my favorite of the elements. On some special horny occasions, I’d lay on my back in the bathtub, straddle the faucet, turn on the water, and have beautiful watergasms. Or straddle a hot tub jet when I could find one. I loved doing clay masks, and to exfoliate in the shower with scrubs made of oatmeal, honey, lavender and rose. Steam baths, spa treatments with natural products, and aromatherapy scents made life extra pleasurable. As a sex worker I relished the occasional mud-wrestling photo shoot, the outdoor sex scenes, and the nice John with the yacht in the 79th street boat basin. In my personal life, having sex in the great outdoors was always a very special, all too rare, treat. Such was ecosex in the city.

MY MERMAID YEARS

Around my fortieth birthday the Sea began to beckon. “Come to me. You can’t resist me. Come to me. I want you.” Like the time I was in Scotland with my lover Mary. We were standing at the edge of Loch Ness looking for the monster when I heard, “Come to me, come to me…” My tears could not be withheld and Mary hugged me tight. “I feel so disconnected from nature,” I cried. “No wonder,” she said, “it’s the middle of winter for Christ’s sake.” But I knew it was more than that– I was out of touch, and I knew in my heart that I had to get back to the Garden.

So I inched myself away from Manhattan to live by the Sea. First I moved to East Hampton for a year. Then made my way to live in Provincetown where I fell in love with the humpback whales. After a couple years I was called to the Pacific Ocean, got a houseboat in Sausalito and lived right on top of the water, happily in rhythm with the tides. When my houseboat burnt down while I was out of town I learned about the power of fire. Free of material belongings, I took off with a male-to-female transsexual, named Captain Barb. We floated north on her fifty-five foot boat three years in a marina on Orcas in the San Juan Islands. I recreated myself as a mermaid.

A WORK IN PROGRESS TO BE CONTINUED.

http://www.facebook.com/pages/Daniel-Wasko-Design/110628262303029 Been working o…

http://www.facebook.com/pages/Daniel-Wasko-Design/110628262303029
Been working our NEW sexecology website w/ Daniel Wasko, due to launch abt Valentine's day. Our Institute of Sexecology is really happening. Tonight I'll go to Occupy Bernal meeting to help our neighbors in foreclosure. Feels so good. Life is truly like a roller coaster ride! But thankfully we have beach house w/hot tub vacation this weekend.


Daniel Wasko Design
Daniel Wasko Design I have been working as a web developer for over 10 years. I offer a full range of media services from web development to DVD authoring. Let me know how I can bring my talent and vision to your next project.

Ecosex Symposium II

Ecosex Symposium II

We produced the EcoSex Symposium II with Femina Potens Gallery and the Center for Sex and Culture. It took place from June 17-19 at the new Center for Sex and Culture (CSC) on Mission Street in San Francisco, CA. The opening night of our EcoSex Manifesto art exhibit kicked off the Symposium II. This visual art exhibition remained in the gallery from May through June. This symposium brought together artists, activists, academics, sex workers and ecosexuals of all sorts.

 

Elizabeth Stephens & Annie Sprinkle’s Ecosex Projects, Manifesto, Exhibit, & Symposium II

 

The ECOSEX SYMPOSIUM II IS OVER but remains documented here. We are now considering locations for Ecosex Symposium III and are open to all possibilities.

The EcoSex Symposium II was produced by Femina Potens Gallery in collaboration with the Center for Sex and Culture. It took place between June 18-19 at the new Center for Sex and Culture (CSC) at 1349 Mission Street (9th and 10th), San Francisco, CA.

 

EcoSex Symposium II explored these questions:

 

What’s an ecosexual?

Why are skinny-dipping, mysophilia and arboreal frottage so pleasurable?

Where is the e-spot?

Can the budding ecosexual movement help save the world?

These are some of the questions that will be discussed at our Ecosex Symposium II– a public forum where art meets theory meets practice meets activism. We are Elizabeth Stephens, a UCSC art professor and environmental activist and Annie Sprinkle, Ph.D., a former feminist porn-star, and pioneering ecosexologist.

We will kick off this weekend with the unveiling of our “Ecosex Manifesto,” visual art exhibit with new collages, our ecosex wedding videos and ephemera, new photographs, and a wall text of our ecosex manifesto. Our art projects aim to inspire more love and appreciation for our Earth and environment.

We will be presenting five panels each with a stellar moderator and four diverse presenters. Eocsexual theorist and author of seminal text, Gaia and the New Politics of Love, Serena Anderlini, Ph.D. is flying in from University of Puerto Rico to present the keynote, What is Ecosexual Love? A Guide to the Arts and Joys of Amorous Inclusiveness. Good Vibration’s resident sexologist, Carol Queen, Ph.D., will be discussing The Sexology of Ecosexuality. Dr. Robert Lawrence, Ph.D. will explore The Ecosex Body. Also presenting is Madison Young, the award winning queer porn movie producer, an artist, and head of the Femina Potens Gallery. She will cover the Greening of the Sex Industry. Tania Hammidi will do a dance about conflict in the Middle East, genocide and olive trees. There will be a special “ecosexi-love-a-licious vegan raw lunch” created by Becka Shertzer’s Brazennectar & Mister Cream. Other presenters are Dylan Bolles & Sasha Hom, Amy Champ, and the legendary porn actress Dr. Sharon Mitchell who will share about the Sensuality of Gardening. The author of the book Ecosex, Stephanie Iris Weiss will be skyping in from New York for a panel on ecosex practices.There will also be an open forum for participants to share their work and thoughts. And more.

Who is invited? YOU, your communities, artists, academics, students, activists, theorists, curators, ecologists, environmentalists, sex workers, art patrons, witches, nature nymphs, country folk, city folk, herbalists, historians, pagans, scientists, media people, and others. The opening night is free. The entire symposium weekend is just $35. No one turned away for lack of funds.

A San Francisco Arts Commission cultural equity grant plus support from the Queer Cultural Center helps make all this possible.

Becka Shertzer, Vegan Chef Brazen Nectar, and Gregory Manitsas, Vegan Raw Pastry Chef, Mister Cream prepared an Ecosexi-Love-A-Licious vegan organic Lunch for the symposium. It was beyond delicious. Sexecology is committed to making the environmental movement more sexy, fun and diverse. We are very serious about ecosex being an environmental activist strategy. Join us!

The EcoSex Manifesto Exhibit and EcoSex Symposium II is presented by:

Femina Potens Gallery in collaboration with the Center for Sex and Culture.

All events are at the Center for Sex and Culture located at 1349 Mission Street (btw 9th and 10th Streets), San Francisco, CA 94103

For more information call 415-902-2071

For more information on Stephens and Sprinkle see:loveartlab.org or anniesprinkle.org and elizabethstephens.org

 

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THE ECOSEX MANIFESTO

Draft 1.0 of a work in progress.

(i) WE ARE THE ECOSEXUALS. The Earth is our lover. We are madly, passionately, and fiercely in love, and we are grateful for this relationship each and every day. In order to create a more mutual and sustainable relationship with the Earth, we collaborate with nature. We treat the Earth with kindness, respect and affection.

(ii) WE MAKE LOVE WITH THE EARTH. We are aquaphiles, teraphiles, pyrophiles and aerophiles. We shamelessly hug trees, massage the earth with our feet, and talk erotically to plants. We are skinny dippers, sun worshipers, and stargazers. We caress rocks, are pleasured by waterfalls, and admire the Earth’s curves often. We make love with the Earth through our senses. We celebrate our E-spots. We are very dirty.

(iii) WE ARE A RAPIDLY GROWING, GLOBAL, ECOSEX COMMUNITY. This community includes artists, academics, sex workers, sexologists, healers, environmental activists, nature fetishists, gardeners, business people, therapists, lawyers, peace activists, eco-feminists, scientists, educators, (r)evolutionaries, critters and other entities from diverse walks of life. Some of us are SexEcologists, researching and exploring the places where sexology and ecology intersect in our culture. As consumers we aim to buy green, organic, and local. Whether on farms, at sea, in the woods, or in cities small and large, we connect and empathize with nature.

(iv) WE ARE ECOSEX ACTIVISTS. We will save the mountains, waters and skies by any means necessary, especially through love, joy and our powers of seduction. We will stop the rape, abuse and the poisoning of the Earth. We do not condone the use of violence, although we recognize that some ecosexuals may choose to fight those most guilty for destroying the Earth with public disobedience, anarchist and radical environmental activist strategies. We embrace the revolutionary tactics of art, music, poetry, humor, and sex. We work and play tirelessly for Earth justice and global peace.

(v) ECOSEXUAL IS AN IDENTITY. For some of us, being ecosexual is our primary (sexual) identity, whereas for others it is not. Ecosexuals can be GLBTQI, heterosexual, asexual, and/or Other. We invite and encourage ecosexuals to come out. We are everywhere. We are polymorphous and pollen-amorous, We educate people about ecosex culture, community and practices. We hold these truths to be self evident; that we are all part of, not separate from, nature. Thus all sex is ecosex.

(vi) THE ECOSEX PLEDGE. I promise to love, honor and cherish you Earth, until death brings us closer together forever.

The ecosex revolution wants YOU. Join us.

Elizabeth M. Stephens & Annie M. Sprinkle

Ecosex Symposium Program

 

ECOSEX MANIFESTO ART EXHIBIT OPENING NIGHT & the ECOSEX SYMPOSIUM RECEPTION

Friday, June 17, 2011

7:00-9:30 PM (Free)

Come for the unveiling of new works by Elizabeth Stephens & Annie Sprinkle: Ecosex wedding videos and ephemera, new collages, a manifesto wall text, and more. A gallery tour performance by Stephens & Sprinkle at 8:30 PM. Ecosexi-lovelicious edibles by Brazennectar & Mister Cream, EcoSexy fashion show by the fabulous Marine Debris plus Rock Pillows by Dalia Anani.

Plus come register for the Ecosex Symposium and get your badge and meet the other participants.

 

ECOSEX SYMPOSIUM II

Note: Panelists may be subject to change.

Saturday, June 18, 2011

10:30-11:00 am

GATHER

Registration, coffee/tea. Get your badge. Coffee, tea and refreshments will be available free throughout the conference. Plus, there will be eco-yummy snacks for purchase.

 

11:00-12:30

WELCOME to ECOSEXUALITY!

The Love Art Lab: Assuming the Ecosexual Position

Annie Sprinkle, Ph.D.: WTF is Ecosex? Exploring the Places Where Ecology and Sexology Intersect; An Overview

Elizabeth Stephens: SexEcology-EcoActivism as Art

Carol Queen, Ph.D. : The Sexology of Ecosexuality

Robert Lawrence, Ph.D.: The Senses

Madison Young—Greening the Sex Industry

 

12:30-1:00 pm

KEYNOTE

Serena Anderlini-D’Onofrio, Ph.D.: What is Ecosexual Love? A Guide to the Arts and Joys of Amorous Inclusiveness.

 

1:00-2:30 pm

ECOSEXI-LOVE-A-LICIOUS LUNCH

Please join us for a special meal together at CSC $15. Brazennectar & Mister Cream make organic vegan raw ecosexi-lovelicious edibles and sweets.

If you would like to order lunch for Saturday’s Ecosexi-Love-A-Licious Lunch, please order here:

BUY LUNCH

 

 

 

2:30-4:00

ECOSEX and ART

Moderated by Jiz Lee

Tessa Wills: Anal Ecology; A Dedication to the Earth

Penny Slinger: The Dakinis as EcoSexual Ambassadors

Tania Hammidi Ph.D.: Olive Tree Hug

Dylan Bolles & Sasha Hom: The Myth of Ten Thousand Things

 

4:00-4:30 pm BREAK

 

4:30-6:00

THEORIES of ECOSEX

Moderated by Sean Feit

Michael Morris: Ecosexuality: Intersections and Interventions in the Construction of Environmental/Sexual Subjectivity

Praba Pilar: The Cyborg Soap Opera

Jennifer Reed: Can the Ecosexual Movement Help to Reintegrate the Human-Environment Rift?

Sha LaBare: The Ecosexuality of Everyday Life

 

6:00-7:30 pm DINNER (In the restaurant of your choice.)

 

7:30-9:00

ECOSEX ACTIVISM, ENVIRONMENTALISM, and POLITICS

Moderated by Naomi Pitcairn

Amy Marsh, DHS, ACS, CHT: Toxins Ate My Sex Life

Scott Catamas: NonViolent Communication for the EcoSexual Movement

Travis Williams: Environmental Justice in Silicon Valley

Amy Champ: Absolutely Free and Radically Wild—Living Radical Ecology at the Berkeley Tree Sit

 

9:00-9:15 pm BREAK

 

9:15-10:45 pm

ECOSEX PRACTICES

Moderator:Reid Mihalko

Stephanie Iris Weiss: ECO-SEX: Go Green Between the Sheets and Make Your Love Life Sustainable *(Via Skype)

Dr. Sharon Mitchell: The Ecstasy of Gardening

Dragonfly: Lovealujah is the Garden of Eden

Kirk Read: EcoSexual Adventures in the Woods

 

Sunday, June 19, 2011

10:00-10:30 am

GATHER Coffee/tea, schmooze.

 

10:30 am-12:00 pm

ECOSEX COMMUNITY SPEAK OUT: WHO WE ARE AND WHAT WE’RE UP TO

Open microphone for any symposium participants that want to share their work and thoughts. From 1 to 10 minutes max. This session will close with La Tigressa’s BioSexual Goddess Striptease Poems.

Moderator: Dragonfly

 

12:00- 12:15 pm BREAK

 

12:15-1:00 pm

DISCUSSION and WHERE DO WE GO FROM HERE?

Moderated by: Lori Grace, M.A. Psych., LMT

 

1:00-1:30 pm

CLOSING STATEMENTS from the SYMPOSIUM HOSTS

Elizabeth Stephens & Annie Sprinkle, Robert Lawrence & Carol Queen, and Madison Young The symposium be adjourned by an EcoSexual Tassel Twirling by Lady Monster.

 

 

$35. No One Turned Away For Lack Of Funds. (For NOTAFLOF details and info, contact bethandannie@sexecology.org)

BUY TICKETS

 

 

If you would like to order lunch for Saturday’s Ecosexi-Love-A-Licious Lunch (A vegan organic lunch prepared by Becka Shertzer, Vegan Chef Brazen Nectar, and Gregory Manitsas, Vegan Raw Pastry Chef, Mister Cream) please order here:

BUY LUNCH

 

 

ECOSEX MANIFESTO ART EXHIBIT

The Ecosex Manifesto Art Exhibit by Elizabeth Stephens & Annie Sprinkle will be open for public viewing through July 24th.

Gallery Days and Hours: Thursdays and Fridays 6/23 + 6/24 2:00-5:00 PM 6/30+ 7/1 2:00-5:00 PM 7/21 + 7/22 2:00-5:00 PM

Or by appointment with the Center for Sex & Culture

 

RELATED EVENTS

Femina Poten’s ECOSEXUAL QUEER PORN NIGHT—At TallTreeTambo.org 776 Haight st & Scott St. in the Lower Haight behind PKOK.

Thursday, June 16, 2011 8:00 pm

[more info]

 

DIRT STAR at the Tenderloin National Forest, The Luggage Store

Sunday, June 19, 2011 5:00-7:00 pm Closing Night for Take Root with performances, food, free farm stand, and installations. Dirt Star Take Root is a queer sustainable art and food explosion. For more details.

[more info]

 

Ecosex Manifesto Art Exhibit

 

This exhibit will shift the metaphor from “Mother” Earth (someone who takes care of you) to “Lover” Earth (someone you desire to care for). If people regarded the earth as a lush Garden of Eden full of sensual pleasures, as a sweet lover, perhaps they would take better care of our planet. We’ll creatively explore environmental issues such as the pollution of the oceans, mountaintop removal strip-mining and the mindless consumption of resources. The Eco-Sexual Manifesto exhibit will ‘queer’, eroticize and glamorize the environmental movement and be both serious and satirical, a call to arms, and a political campaign. We will make, sell and give away items to promote ecosex community identification in the form of posters, bumper stickers, buttons, t-shirts, underwear, and other items. We will also create an artfully designed pamphlet with our Ecosexual Manifesto text, a rhetorical statement of political principles, which will also be exhibited as a wall-text in our Femina Potens installation.

The Ecosex Manifesto Art Exhibit by Elizabeth Stephens & Annie Sprinkle will be open for public viewing through July 24th.

Gallery Days and Hours: Thursdays and Fridays 6/23 + 6/24 2:00-5:00 PM 6/30+ 7/1 2:00-5:00 PM 7/21 + 7/22 2:00-5:00 PM

Or by appointment with the Center for Sex & Culture 415-902-2071

Ecosex Weekend Schedule

 

Friday, June 17, 2011

ECOSEX MANIFESTO ART EXHIBIT OPENING & ECOSEX SYMPOSIUM RECEPTION

7:00-9:30 pm Opening and Reception are open to the public.

 

Satuday, June 18, 2011

ECOSEX SYMPOSIUM II

10:30-11:00 am Gather: Registration, Coffee/Tea.

11:00 am-12:30 pm Welcome To Ecosexuality

12:30-1:00 pm Keynote

1:00-2:30 pm Ecosexi-Love-A-Licious Lunch

2:30-4:00 pm Ecosex And Art

4:00-4:30 pm Break

4:30-6:00 pm Theories Of Ecosex

6:00-7:30 pm Dinner (Anywhere)

7:30-9:00 pm Ecosex Activism/Environmentalism/Politics

9:00-9:15 pm Break

9:15-10:45 pm Ecosex Practices

 

Sunday, June 19, 2011

ECOSEX SYMPOSIUM II

10:00-10:30 am Gather: Coffee/Tea, Schmooze.

10:30 am-12:00 pm The Ecosex Community Speaks Out: Who We Are And What We’re Up To.

12:00-12:15 pm Break

12:15-1:00 pm Discussion And Where Do We Go From Here?

1:00-1:30 pm Closing Statements From The Symposium Hosts

 

 

$35. No One Turned Away For Lack Of Funds.

BUY TICKETS

 

If you would like to order lunch for Saturday’s Ecosexi-Love-A-Licious Lunch (A vegan organic lunch prepared by Becka Shertzer, Vegan Chef Brazen Nectar, and Gregory Manitsas, Vegan Raw Pastry Chef, Mister Cream) please order here:

BUY LUNCH

 

 

 

 

 

RELATED EVENTS

Femina Poten’s ECOSEXUAL QUEER PORN NIGHT—At TallTreeTambo.org 776 Haight st & Scott St. in the Lower Haight behind PKOK.

Thursday, June 16, 2011 8:00 pm

[more info]

 

DIRTSTAR PERFORMANCES at the Tenderloin National Forest/Luggage Store

Sunday, June 19, 2011 5:00-7:00 pm

[more info]

 

ECOSEX MANIFESTO ART EXHIBIT

The Ecosex Manifesto Art Exhibit by Elizabeth Stephens & Annie Sprinkle will be open for public viewing through July 24th.

Gallery Days and Hours: Thursdays and Fridays 6/23 + 6/24 2:00-5:00 PM 6/30+ 7/1 2:00-5:00 PM 7/21 + 7/22 2:00-5:00 PM

Or by appointment with the Center for Sex & Culture

Queer Cultural Center
Queer Cultural Center
Femina Potens Gallery
Femina Potens Gallery
San Francisco Arts Commission
SF Arts Commission
Love Art Lab
Love Art Lab
Center for Sex & Culture
Center for Sex & Culture

 

 

 

 

 

 

 

With Special Thanks For Food, Drink and Decor

Bondage Club Baltimore
Bondage Club Baltimore
Lochaistine
Artisana Premier Organics
Bison Organic Beer

One Coconut Water

Food For Life

Whole Foods Market/Haight

Cafe Gratitude

Mountain People Organic Beer and Wine

Lev’s Kombucha

Natasha Underwood, Indigo Solutions for Flower Design

Paul Mahder Gallery for Framing

 

Press Articles/Press Release

 

ARTICLES

San Francisco Chronicle, Date Book, Beyond Tree Hugging, by David Wagner read article

New York Times, Art Beat, Annie Sprinkle on Sex, Art and Activism, by Jennifer McDonald read article

El Pais, Tendencias, El EcoSexo Como Obra de Arte, by Roberta Bosco read article

AOL Weird News, ‘Ecosexuals’ Make Love With Nature by David Boye read article

SF Weekly, Green is the New Hot by Keith Bowers read article

The SF Examiner, EcoSexual’s Unite for EcoSex Symposium by Kelly Patterson read article

 

PRESS RELEASE

FOR IMMEDIATE RELEASE

 

Contact: Center for Sex and Culture (415) 902-2071

Femina Potens Press: Malia Schaefer feminapotenspress@gmail.com

Annie Sprinkle annie@anniesprinkle.org

Elizabeth Stephens: bethstephens@me.com

 

San Francisco, Ca.

ECOSEXUALS UNITE FOR AN ECOSEX SYMPOSIUM & ART EXHIBIT

What’s an ecosexual? Why are skinny-dipping, tree-hugging and mysophila so pleasurable? Where is the e-spot? Can the budding ecosexual movement help save the world? Who are the ecosexuals? These are some of the questions that will be discussed at the Ecosex Symposium II– a public forum where art meets theory meets practice meets activistism.

The organizers of these events are Annie Sprinkle, Ph.D., a feminist-porn-star and artist, turned “sexecologist,” and Elizabeth Stephens, a UCSC art professor and environmental activist. The two women explain, “As a strategy to create a more mutual and sustainable relationship with our abused and exploited planet, we are changing the metaphor from the Earth as mother, to Earth as lover.”

Artists and sybaritic cougars, Sprinkle and Stephens kick off the weekend with their “Ecosex Manifesto” an art exhibit with new collages, their ecosex wedding videos and ephemera, ecosexual photographs, and a wall text with their manifesto. Stephens and Sprinkle create art that aims to inspire more love and appreciation for the Earth and environment. The art exhibit and symposium are sponsored by Femina Potens Gallery and all events will happen at the new Center For Sex & Culture at 1349 Mission Street. The artists got a cultural equity grant from the San Francisco Arts Commission to help make it all possible.

Eocsexual theorist and author of seminal text, Gaia and the New Politics of Love, Serena Anderlini, Ph.D. is travelling from University of Puerto Rico to present the keynote, What is Ecosexual Love? A Guide to the Arts and Joys of Amorous Inclusiveness. Good Vibration’s resident sexologist, Carol Queen, Ph.D., will be discussing ecorotic issues in the sex toy industry and The Sexology of Ecosexuality. Dr. Robert Lawrence, Ph.D. will cover ecosex fetishes. Also presenting are Madison Young, an award winning queer porn movie director and artist who will cover the Greening of the Sex Industry. Artist Tania Hammidi will do a dance piece about conflict, genocide and olive trees. There will be a special ecosexi-love-a-licious vegan raw lunch by Becka Shertzer’s Brazennectar and Mister Cream. Other presenters are artist musicians Dylan Bolles & Sasha Hom, yogi and academic Amy Champ, and the legendary porn actress Dr. Sharon Mitchell who will talk about the sensuality of gardening. Author of the book Ecosex, Stephanie Iris Weiss will be skyping in from New York for a panel. Other speakers will present on many more aspects of this budding new sexual movement. There will also be an open forum for symposium participants to share their work and thoughts.

Although Stephens and Sprinkle use humor in their work, they are very serious about engaging ecosex as an environmental activist strategy. They aim to, “make the environmental movement a little more sexy, fun and diverse.” Additionally, they’d like to see an “E” added to GLBTQI.

 

PRESS PHOTOS: Available at http://loveartlab.org/press-gallery.php

 

Friday, June 17

7:00-9:30 ECOSEX MANIFESTO ART EXHIBIT OPENING &

ECOSEX SYMPOSIUM RECEPTION (Free)

 

 

Saturday, June 18

Sunday, June 19 10:00-1:30

ECOSEX SYMPOSIUM 11 ($35. No one turned away for lack of funds.)

10:30 AM to 10:45 PM

 

 

 

ECOSEX MANIFESTO ART EXHIBIT

The Ecosex Manifesto Art Exhibit by Elizabeth Stephens & Annie Sprinkle will be open for public viewing through July 24th.

Gallery Days and Hours: Thursdays and Fridays: 6/23 + 6/24 2:00-5:00 PM, 6/30+ 7/1 2:00-5:00 PM, 7/21 + 7/22 2:00-5:00 PM Or by appointment with the Center for Sex & Culture.

 

 

RELATED EVENTS

June 16, 8:00 Femina Poten’s ECOSEXUAL QUEER PORN NIGHT—At ATA

June 19 5:00-7:00 DIRTSTAR PERFORMANCES at the Tenderloin National Forest/Luggage Store

Buy Tickets to the Ecosex Symposium II

$35. No One Turned Away For Lack Of Funds.

BUY TICKETS

 

 

If you would like to order lunch for Saturday’s Ecosexi-Love-A-Licious Lunch (A vegan organic lunch prepared by Becka Shertzer, Vegan Chef Brazen Nectar, and Gregory Manitsas, Vegan Raw Pastry Chef, Mister Cream) please order here:

BUY LUNCH

Call For Collaborators and Additional Sponsorship

 

We invite companies, organizations and individuals to collaborate with us on the Ecosex Manifesto opening night festivities, and the Ecosex Symposium ll weekend.

Design and/or print our symposium program. Donate food, beverages, flowers. Help with press and networking, production assist, be part of our documentation team, be part of our installation team. Design and create ecosex oriented products (buttons, tshirts, undies, water bottles) for us to manufacture and resell to participants and for future events. Bring petitions, environmental actions, your creative spirit. Other?

In exchange, we can offer promotion, tabling, press, credits, our love and gratitude, free symposium pass, and other perks. Let’s talk!

Request More Information

Contact Us

To contact Annie Sprinkle and Elizabeth Stephens and to find out more about our work, please visit our websites:

The Love Art Laboratory loveartlab.org

Annie Sprinkle anniesprinkle.org

Elizabeth Stephens elizabethstephens.org

 

 

The EcoSex Manifesto Exhibit and EcoSex Symposium II were presented by:

Femina Potens Gallery in collaboration with the Center for Sex and Culture.

For more information call the Center for Sex and Culture for more information. 415-902-2071

All events will take place at the Center for Sex and Culture located at 1349 Mission Street (btw 9th and 10th), San Francisco, CA 94103

For additional information, please email us.

Request More Information

PARTICIPANT BIOS

 

Speakers

Please refer to the Program section for individual session times and dates for the speakers listed below.

 

Serena Anderlini-D’Onofrio

Believes that “a world where it is safe to love is a world where it is safe to live.” She is a scholar, writer, activist, professor, and cultural theorist. Her book of ecosexual theory, Gaia and the New Politics of Love is a 2010 Nautilus Winner in Cosmology and New Science. She is editor of BiTopia (2011), Bisexuality and Queer Theory (2010), Plural Loves: Designs for Bi and Poly Living (2005), and Women and Bisexuality: A Global Perspective (2003). Her memoir, Eros: A Journey of Multiple Loves, was a 2007 Lambda finalist. These are Routledge, New York, books. She is a full professor of humanities at the University of Puerto Rico, Mayaguez. In July, 2011 she will teach the first multilingual course in Ecosexuality in Italy. In 2010 she keynoted at the World Polyamory Association Conference in California and BiReCon in England. She speaks English, French, Italian, and Spanish. Fan Page: facebook.com/GaiaBlessings Blog : polyplanet.blogspot.com/ Webpage: www.serenagaia.com Email:serena.anderlini@gmail.com

Serena Anderlini-D’Onofrio is the keynote speaker.

 

Dylan Bolles and Sasha Hom

Myth of Ten Thousand Things is a family project. In poetic song-like
structures Sasha Hom speaks of all the impossible places we make our
homes, while Dylan Bolles plays various instruments, sometimes
singing.We work in the mess and see what happens. Dylan Bolles makes performances with people and environments, many of
which involve the design and construction of new musical instruments
and the cultivation of co-creative relationships through listening
practice. Sasha Hom writes all kinds of things, but most of her time is spent chasing after her daughters. Sometimes she writes about this too. To check out more of her work and see her publications: http://SashaHom.com/

Bolles and Hom will present on the EcoSex Art Panel. Their presentation is entitled ” The Myth of Ten Thousand Things.”

 

Scott Catamas

Scott Catamas has won multiple EMMY awards as a writer, producer and director of educational television. He has created hundreds of original productions that have been performed live and/or broadcast nationally over NBC, HBO, SHOWTIME, FOX, UPN, etc. Scott started teaching in 2002, and has led hundreds of classes and workshops throughout the U.S. During this time, he has become a popular teacher and his events continue to expand. He has a popular weekly radio show and has been invited to teach throughout Europe. To learn more see http://lovecoachscott.com/

Scott Catamas will present on the EcoSex Activism Panel. His presentation is entitled ” NonViolent Communication for the EcoSexual Movement.”

 

Amy Champ

Amy Champ is a fourth-year doctoral student in Performance Studies at University of California, Davis. She explores connections between ecology and spirituality in performance and politics. She researches yoga’s impact on female bodies, transnational feminist collaboration, and women’s ritual arts. Her theoretical interests focus on energy and consciousness, democratic practice, lived aesthetics and ecological models of political change. Her dissertation covers the transformation of Western female bodies and identities through the global spread of yoga. Amy has an M.A. in Government and International Relations from California State University, Sacramento and a B.A. in Anthropology and Literary Studies from Pitzer College in Claremont, California and was a Fulbright scholar in Zimbabwe in 1995. She has been a member of the Green Party of California since 1991. To keep up with Amy follow her tweets. http://Twitter.com/AMYCHAMP/

Amy Champ will present on the EcoSex Activist Panel. Her talk is entitled ” Absolutely Free and Radically Wild—Living Radical Ecology at the Berkeley Tree Sit.”

 

Dragonfly

Dragonfly is a lifelong artist-activist, challenging the politics of art, media, race, gender and sex. Her more provocative performances include Arena Studios’ legendary Black and Blue Ball, Epstein and Hassan’s Shock-and-Awe-a-Go-Go, Sarah Small’s critically-acclaimed Tableau Vivant of the Delirium Constructions, and a residency at TriBeCa Performing Arts Center as co-founder of writing/performance group, Matriotism. She has refined her many crafts with notable mentors: Linda Montano, Sandra Cisneros, Sharon Bridgforth, Leda Resureccion, and Edin Velez. She is a magna cum laude Rutgers University Honors College Scholar. She has also worked as an exotic dancer, phone sex actress, and dominatrix. Dragonfly is currently a deaconess/tenor in Reverend Billy’s Church of Earthalujah Gospel Choir, and developing her first one-woman show. Amen and Awomen!

Dragonfly will present on the EcoSex Practices Panel. The title of her talk is “Lovealujah is the Garden of Eden.”

 

Tania Hammidi

Tania Hammidi is a conceptual artist, educator, and freelance writer. She teaches design and queer theory at California College of Art and the University of California, Davis. She holds a Ph.D. in Critical Dance Studies, curates LGBTQ fashion events, and likes trees … a lot. More info: www.taniahammidi.com

Hammidi will present on the EcoSex and Art Panel. Hammidi’s talk is entitled “Olive Tree Hug” Photo by Blanca Muñoz.

 

Sha LaBare

Fur, milk, live birth!

Widgeteer, nexistentialist, and univore, LaBare recently finished a PhD in UC-Santa Cruz’s History of Consciousness Department. He writes and theorizes science fiction and science fantasy, and is particularly interested in speculative philosophy, ecological ethics and science fiction as a way of thinking about the world. Sha is the resident nexistentialist for the ecosexual movement. He is currently exploring the Ecology of Everyday Life. He will present “The Ecosexuality of Everyday Life,” on the EcoSex Theory panel via Skpye live from Canada.

 

Dr. Robert Morgan Lawrence

Dr. Robert Morgan Lawrence has a Doctorate of Education degree in Human Sexuality and holds an additional doctorate degree in health care. He has served as a sex industry consultant, educator and academic author and lectures both nationally and internationally about human sexuality and health. Lawrence has produced and designed safer-sex education events of many kinds, and has been active as a safer-sex educator since 1980. His professional work has been published in journals, magazines and books, and he has interviewed on radio and television programs worldwide, including Donahue, Penn and Teller, Montel Williams, Playboy TV and Channel 4 of London. He serves on the Center for Sex & Culture’s board of directors.

For more information see: http://www.sexandculture.org/about-us/founders.html

Robert Lawrence will present on the Welcome to EcoSexuality Panel. His talk is entitled “Our Bodies Our Ecosexual Selves.”

 

Amy Marsh

Amy Marsh, DHS, ACS, CHt, is a clinical sexologist, hypnotherapist, sex writer, and associate professor of sexology at the Institute for Advanced Study of Human Sexuality. She wrote a weekly column, “Love’s Outer Limits,” for Carnal Nation (Oct. 2009-Oct. 2010) and is twice published in the Electronic Journal of Human Sexuality. She hosts a program on BlogTalk Radio. Dr. Marsh has appeared on “Good Morning America,” “Tyra Banks,” and National Geographic Taboo “Forbidden Love” (airs June 6, 2011). She has dealt with environmental illness for over twenty-one years. As an activist, she is a former president of the Environmental Health Network (of CA). She stands with her current partner, Kukauakahi, in advocating Hawaiian sovereignty and preservation of sacred sites, including Mauna Kea. She has two sons: Asher, also a writer (http://tranarchism.com); and Paul, an aspiring tattoo artist. www.dramymarshsexologist.com

Amy Marsh will present “Toxins Ate My Sex Life.” on EcoSex Activism, Environmentalism and Politics panel.

 

Dr. Sharon Mitchell

Dr. Sharon Mitchell spent 25 years in the Adult Entertainment Industry as an actress, appearing in over 2000 movies, as a dancer performing in venues all over the world, and she has produced and directed over 42 movies. Mitchell received her PH.D. in Human Sexuality from the Institute for the Advanced Study of Human Sexuality in San Francisco. California. She then went on to complete her residency in Los Angeles, California at the AIM Healthcare Foundation which she founded and directed for many years. Dr. Mitchell is currently taking time off to enjoy the pleasures and sensuality of gardening at home.

Dr. Sharon Mitchell will be presenting “The Ecstasy of Gardening” on the EcoSex Practices panel.

 

Michael Morris

Michael J. Morris is currently pursuing his PhD in Dance Studies at the Ohio State University. His research is in the area of theories of the body and performance, and his current work is towards the development of a theory of ecosexuality, building from theories of ecofeminist philosophy, queer ecology, sexuality studies, and phenomenology. In addition to his scholarly work, Michael is a choreographer and performer, influenced primarily by his training in Japanese Butoh. He is certified in Labanotation through the Dance Notation Bureau in New York, and holds a BFA in Dance from Belhaven University. Michael writes here: http://morrismichaelj.wordpress.com/

Morris will present on the Theories of EcoSex Panel. His talk is entitled ” Ecosexuality: Intersections and Interventions in the Construction of Environmental/Sexual Subjectivity”

 

Praba Pilar

Bay Area/Colombian Praba Pilar is a performance artist, technologist and cultural theorist exploring aspects of emerging technologies which generate new forms of economic, environmental and sexual exploitation and erasure. Her wildly diverse work has been presented at museums, galleries, universities and all kinds of arterventionist/performalogic spaces nationally and internationally, and honored with multiple awards, from the Creative Capital award to the Hawaii Fluxus Award. She is currently a PhD candidate in Performance Studies at the University of California at Davis and can be visited online at: http://www.prabapilar.com.

Pilar will present “The Cyborg Soap Opera.” on the Theories of EcoSex Panel.

 

Dr. Carol Queen

Dr. Carol Queen is a writer and cultural sexologist with a Ph.D. in human sexuality. She is a noted essayist whose own collection of essays, Real Live Nude Girl: Chronicles of Sex-Positive Culture, was published in 1997 and reissued in 2002. She has appeared in several explicit educational videos, notably “Carol Queen’s Great Vibrations: An Explicit Consumer Tour of Vibrators” and “Bend Over Boyfriend: An Adventurous Couple’s Guide to Male Anal Pleasure.” Queen works as staff sexologist and is the Chief Cultural Officer at Good Vibrations. Queen is active on behalf of progressive sex education and sexual minority issues. Her perspective in addressing sexual diversity incorporates personal experience, accurate sex information, and informed cultural commentary. See www.carolqueen.com for her blogs and more.

Carol Queen will present on the Welcome to EcoSexuality Panel. Her talk is entitled “The Sexology of Ecosexuality.”

 

Kirk Read

Kirk Read is the author of “How I Learned to Snap” and director of Army of Lovers. He has toured nationally with the Sex Workers Art Show, the Queen’s English and Sister Spit. He cohosts the longrunning queer open mics K’vetsh and Smack Dab. He created the shows “This is the Thing” and “Computer Face” and is a regular at performance series like Porchlight, Perverts Put Out, Radar and Litquake. He created “Formerly Known As,” a festival of male and trans sex worker performance because he loves cultural activism but hates meetings. He loves backpacking, mud and weeds and stinging nettles. To find out more about Kirk’s work see his website. www.kirkread.com

Kirk Read will present “EcoSexual Adventures in the Woods,” on the EcoSex Practices panel.

 

Jennifer J. Reed MA

Jennifer J. Reed is a doctoral student and instructor in sociology at the University of Nevada, Las Vegas. She specializes in environment and health as well as sexuality and gender issues. Jennifer is the mother of three beautiful adult children – two born of her womb and one later of her heart – and recently witnessed the amazing birth of her first grandbaby. She worked as an erotic dancer for fifteen years while raising her children. Jennifer is certified in various energy healing techniques after facing her own personal health challenges. She helped found a successful alternative healing arts center for youth and families in Ohio which just expanded to Florida. Jennifer identifies as an ecosexual and is an avid social justice activist. She feels fascinated by how social issues that many take for granted today are actually “socially constructed” rather than “natural” in origin, meaning that they can indeed be changed!

Reed will present “Can the Ecosexual Movement Help to Reintegrate the Human-Environment Rift?” on the Theories of EcoSex Panel.

 

Penny Slinger

Penny Slinger is an artist, writer and filmmaker who has not only championed the liberation of sexuality and the feminine, but actively forged new paths. Her art and techniques have been on the cutting edge of new realities since she emerged onto the London art scene at the end of the 1960s. Using herself as her own muse, she stripped away the layers of the feminine psyche as ‘the ultimate expose’ in photocollages and sculptures featuring life casts. Her artwork has been widely exhibited and a number of books and videos of her work have been published. She co-authored and illustrated ‘Sexual Secrets, The Alchemy of Ecstasy’ (1979), a seminal work bringing Tantra to a wider audience. Her current work, the 64 Dakini Oracle, has been many years in the making. The images are highly detailed digital collages, which Penny recognizes as a new medium for fine art. The oracle comprises 64 Divine Feminine archetypes in the form of a Goddess Temple for our time. www.pennyslinger.com and www.64dakinioracle.org

Penny Slinger will present “The Dakinis as EcoSexual Ambassadors”on the EcoSex Art Panel.

 

Annie Sprinkle

Annie Sprinkle, Ph.D. has 38 years of experience in sexually oriented art, entertainment, and media. She was a prostitute and porn star for twenty years, then bridged into the art world and became an internationally acclaimed performance artist doing theater about her life. Sprinkle was a mover and shaker in the 80’s “sex positive feminist” movement, taught sexuality workshops in 14 countries and helped pioneer new sex film genres. Sprinkle became the first porn star to earn a Ph.D. Today she is a committed environmental activist and helping grow the ecosex movement. She lives and works with her beloved life partner, artist/professor Elizabeth Stephens, and their doggie Bob, in San Francisco. They are “pollen-amourous,” married to the Earth, Sky and Sea. To check out more of her work and see her publications. http://anniesprinkle.org/ and http://loveartlab.org/

Sprinkle will present “WTF is Ecosex? Exploring the Places Where Ecology and Sexology Intersect; An Overview.” on the Welcome to EcoSexuality Panel.

 

Elizabeth Stephens

Elizabeth Stephens is a performance artist, activist and educator whose art, performances and writing have explored themes of queerness, feminism and environmentalism which all meld in her current focus on ecosexuality. Together with Annie Sprinkle she is creating the new field of SexEcology. They hope to make the environmental movement a little more sexy, fun and diverse by exploring the space(s) where ecology and sexology intersect. SexEcology embodies the art of exploring the Earth as a lover instead of as our overworked mother. As a long-term lover of the Appalachian Mountains she is working to end mountain top removal strip mining. Stephens is a Professor of Art at University of California, Santa Cruz and is currently pursing a PhD in Performance Studies at UC Davis. Her thesis concerns creating new forms of environmental performance art to help activate environmental justice. See http://elizabethstephens.org/ and http://loveartlab.org/ for more.

Stephens will present “SexEcology- EcoActivism as Art: Stopping Mountain Top Removal.”on the Welcome to EcoSexuality Panel.

 

La Tigresa (Dona Nieto)

La Tigresa made international headlines in the fall of 2000 when she blockaded logging trucks with bare-breasted recitals of her poem, “I am the Goddess,” putting her body on the line in the struggle to save California’s ancient redwoods. She is the author of Naked Sacred Earth Poems, just released from Regent Press, and she will have copies of her book to sell- if you buy one she will sign it for you. Or you can order it from any bookstore, or Amazon, or at her website, www.LaTigresa.net.

La Tigressa will perform her BioSexual Goddess Striptease Poems at the end of the speak out session.

 

Stefanie Iris Weiss, MA

Stefanie Iris Weiss, MA, is the author of nine books, including her most recent: Eco-Sex: Go Green Between the Sheets and Make Your Love Life Sustainable (Crown Publishing/Ten Speed Press, 2010). The first book about ecosexuality, Eco-Sex explores the day-to-day realities of going green between the sheets, covering everything from green courtship to green sex toys. Stefanie has also written about the quarter-life crisis, women’s issues, dating and relationships, health and wellness, the divinatory arts, and more. Find her on the web: ecosex.net, facebook.com/Ecosex, and twitter.com/EcoSexuality.

Stefanie Weiss will present her work at the symposium via Skype just before the EcoSex Practices panel.

 

Travis L. Williams

Travis L. Williams focuses on the history and practice of environmental justice advocacy. He is a steering committee member of the UCSC Science and Justice Working Group as well as co-founder of Energy Worlds, a subdivision of UCSC’s Science and Justice Working Group which examines the nexus between science, culture, and energy production and consumption in the 21st century, with a key emphasis on social, economic, and environmental justice. His current research project focuses on the history of environmental justice advocacy in Silicon Valley and other high tech industrial corridors.

Travis Williams will present his work on Environmental Justice in Silicon Valley during the EcoSex Activism, Environmentalism and Politics panel.

 

Tessa Wills

Tessa Wills is a choreographer and a Live Artist. Her current concerns in practice are wounds, punctures, liminality and the movement organizing principles of birds. She is honoured to continue her working relationship with Stephens and Sprinkle by restaging this collaboration with Harold Burns as a dedication to the Earth. Burns is a Bay Area performer, activist and educator, and member of the offcentre (theoffcenter.org). This duet is was origionally inspired by Chaignord and Bengolea’s performance “Paqurette”. Costumes by Honey McMoney (www.honeymcmoney.com). Equipment and education from Eve Minax (www.eveminax.com) Madame Pele (www.madamegoddess.com) and Kirk Read (www.kirkread.com). Burns and Wills next perform for the festival ‘This is What I Want” in June, and premier a new full length piece at Counterpulse on August 12th and 13th. www.tessawills.com Tessa is supporting the feild of the providers ally; a resource for professionals. www.lillyally.com

Wills and Burns will present “Anal Ecology; A Dedication to the Earth” on the EcoSex Art Panel.

 

Paul Wirhun

Paul Wirhun has worn many hats in his life, each carrying it’s own type of work for this mutli-faceted artist, writer, sex shaman, performer and eco-activist. Many on the East Coast know him as the Eggman, for his mastery of egg/Art beginning with his Ukrainian ancestry. He lived for many years in Provincetown honing his artistry on eggshells, and spent many days trolling the beaches of his beloved seaside enclave, collecting trash for a drag character Marine Debris, who sought to raise consciousness while looking chic. This experience spawned the Couture de la Marine Debris, which has shown it’s collections in Provincetown and NYC in the past to years. Paul’s fashion artistry with beach trash was cited recently on www.agreenbeauty.com. This show initiates San Francisco to the cool looks spun out of Marine Debris on a hot summer’s day by the sea.

Marine Debris will model his fashions of Friday night at the opening of the Ecosexual Manifesto

 

Madison Young

Madison Young is an international award-winning feminist porn star, director, gallerist, artist, and new mom. She has been directing and performing in erotic films for nearly a decade and has won great acclaim for her video line, Madison Young Productions, and her network of erotic web sites, the Feminist Porn Network. Her films have screened at film festivals through out the States, Europe, and Australia. Young, who has been called a “sex positive Tasmanian devil” values sexual education in her work and has taught workshops, lectures, and acted as a panelist on the topics of sexuality, feminism and pornography, and kink across the country including at Yale University and UC Berkeley. When she isn’t documenting hot sex on film she is running her own non profit community art gallery in San Francisco, Femina Potens Art Gallery, which focuses on the expression of Art, Sex and Gender. madisonbound.com www.feminapotens.org

 

Moderators

Please refer to the Program section for individual session times and dates for the speakers listed below.

 

Sean Feit

Sean Feit is a musician, writer, and dancer who makes and studies contemplative performance, working with improvisation, video, lyric scholarship, and the Buddhist and Hindu yoga practices of meditation, asana, and kirtan. He is a PhD student in Performance Studies at UC Davis, teaches yoga at Yoga Mandala in Berkeley, and meditation at SF Insight. Sean was a monk in Burma in 2002, and regularly lives in the silence of long meditation retreat. Sean has danced or made music with The Bodycartography Project, Seth Eisen, AVY K Productions, Leslie Seiters Little Known Dance Theater, for whom he created the score for The Way to Disappear (2005), and Keith Hennessy/Circo Zero. His music for Circo Zero’s Sol Niger (2008) won an Isadora Duncan Dance Award for Best Sound/Text 2007-8. Sean Feit will moderate the EcoSex Theories Panel.

 

Lori Grace

Lori Grace Star, M.A. Psych., LMT, has been studying and teaching approaches to communication and conflict resolution for nine years and (NVC) Compassionate Communication for five. She helps people expand their ability to communicate with their partners, feel compassion and understanding for each other, and experience profound levels of connection. Lori Grace is committed to environmental activism and has been trained by Al Gore. She is also the director of the Sunrise Center in Marin. For more on Grace’s work see: http://www.sunrise-center.org/ She will moderate the “Where Do We Go From Here?” discussion.

 

Jiz Lee

Jiz Lee is genderqueer pornstar known for an androgynous gender-bending appearance, copious female ejaculation, champion fisting, cock slinging, and light-hearted attitude about sex. The Feminist Porn Award-winning performer works with celebrated female filmmakers and advocates ethical porn as an author and speaker. With one foot in the Bay Area arts scene, Jiz holds a BA in Dance and has a background in arts management and performance as one-half of the art duo Twincest (RIP). At last year’s Ecosex Symposium, Jiz presented “Dangerous Curves” by Carlos Batts and April Flores, where the road to beautiful, hard to reach places was metaphorically portrayed through hardcore sex in luscious natural environments. This year Jiz is honored to moderate the Ecosex & Art Panel.

 

Reid Mihalko

Sex and relationship expert Reid Mihalko of ReidAboutSex.com helps adults create more self-esteem, self-confidence and greater health in relationships and sex lives.

Reid has appeared on the Emmy award-winning talk show Montel, Fox News, in Newsweek, Seventeen, GQ, The Washington Post, and in thirteen countries and at least seven languages. His workshops have been attended by close to 30,000 men and women.

Reid Mihalko will moderate the EcoSex Practices panel.

 

Naomi Pitcairn

Naomi Pitcairn is an artist who might welcome the adjectives morbid and cynical. For more see: naomipitcairn.com Naomi also helped start the Fresh Juice Party: freshjuiceparty.com

Naomi Pitcairn will moderate the EcoSex Activism, Environmentalism and Politics panel.

 

 

Additional Collaborators

The symposium is made possible by the generous collaboration and support of our friends and community.

 

Liz Burke

Liz Burke is a professor of writing and research at JFK University. She is also a writing advisor, guide, and professional editor. In addition to guiding others, she is also a published poet and academic renegade who believes that writing is a fierce act of love, a way of life, and a gesture toward true freedom. Liz is in the beginning stages of creating an independent university based on the values of love, justice, and freedom for all and our planet.

 

Deli Pub

The Deli Pub has nourished Annie and I as we have brainstormed and organized the EcoSexual Manifesto and EcoSex Symposium II. Imed Yaish is the best pub master in Bernal Heights. His sandwiches are beautiful ecosexual sculptures. You should come and partake of them. Plus he makes a mean latte which goes really well with the fresh baklava that beckons from the counter. The Deli Pub is located at 301 Cortland St. It is on the corner of Bocana St. in Bernal Heights, San Francisco. You will be so happy that you dropped by for lunch or an afternoon delight.

 

C. Finley

Rome based artist C. Finley is known for her elaborate geometric paintings and her activism through urban interventions. Her Wallpapered Dumpsters project transforms environmental activism into unexpected beauty. Wallpapered Dumpsters is featured in Urban Interventions (Gestalten) and Stuck-Up Piece Of Crap – A Selected History of Stickers, From Punk Rock to Contemporary Art (Rizzoli). The recipient of the Eszter Cohen grant, C. Finley continues to wallpaper dumpsters and rubbish receptacles in cities throughout Europe. C.Finley has shown internationally with exhibitions at Hot Art Fair Basel, Aequalis Contemporary, High Energy Constructs, Salon Oblique, Dumba Collective and in 2007 was the artist-in-residence at the Treehouse Gallery, Los Angeles. Currently, C. Finley is artist-in-residence at Gai Mattiolo fashion house in Rome, Italy. C.Finley received her BFA from the Pratt Institute, New York and her MFA from California State University Long Beach. Finley lives in Rome and New York.

 

Sakura Kelley

Sakura Kelley is currently a UC Santa Cruz student. Her fields of focus are photography and community studies. She has a special interest in social justice issues such as environmentalism, queerism, violence and trauma. She has worked for various social organizations such as Frack Action, as well as various student groups like the Pride Alliance and the Antiwar Coalition. She has also photographed for the Indypendent, a New York-based free newspaper. Sakura Kelley is the winner of the prestigious UCSC Art Department Irwin Award for excellence in the Arts. Currently she is the photographer for the Arts Division. Sakura Kelley is interested in collaborating with artists, activist, ecosexuals and all inventors. She printed the large photos that are the background for the Ecosexual Manifesto collages.

 

Natalie Loveless

Natalie Loveless is an interdisciplinary scholar and artist. She received a PhD in the History of Consciousness from the University of California, Santa Cruz, has an MFA in performance, video and installation from the School of the Museum of Fine Arts, Boston, and an MA in Art History, Theory and Criticism from Tufts University. She is currently a visiting assistant professor in the Visual Arts department of the University of Western Ontario. Natalie is our Canadian Ecosexual Intellectual Conspirator (CEIC) and manifesto consultant. For more about Natalie see: www.loveless.ca

 

 

Lady Monster

Lady Monster – The Spawn of Satans Angel and San Francisco’s Force of Nature. Voted as one of the Top 100 Burlesque Performers in the World for 2010 in 21st Century Burlesque Magazine. Collaborating in Annie Sprinkle and Beth Stephens’ Green, Blue and Purple Wedding ceremonies and Ecosexual Honeymoon Symposium I, Lady Monster has realized her deep roots as an Ecosexual. Being married to the Earth, Sea, Sky and Moon she has committed herself to the four corners as a tantalizing and inspired force. Crowned as a Queen of the Fire Tassels, she also twirls Water Tassels, shaking the Earth with each shimmy. For more excitement see ladymonster.com

 

Julia Reardin

Julia Reardin is currently a film student at UCSC. She also works as a research assistant for Professor Elizabeth Stephens in the Art Department. Julia’s main focus is narrative film and film production. For three years she worked as the director’s assistant for the Ann Arbor Film Festival in Michigan. She was also a production assistant for three years at WTIU/PBS in Bloomington Indiana. Additionally Julia has worked as a camp assistant at Voglesang High Sierra Camp as well as in the bar at the Ahwahnee Hotel in Yosemite National Park. Currently Julia is creating a digital art project entitled I’ll Be Your Avatar. You can view this project and more at: http://www.juliareardin.com

Rich Reardin

Rich Reardin is a radio producer, audio engineer, Flash animator, graphic artist, cartoonist, and web designer living in Bloomington, Indiana. Rich’s father was lifelong friends with Allen Ginsberg. Allen’s subsequent life and work helped to inspire Rich’s longtime interest in Buddhism, the arts, poetry, literature, and music. Rich is now creator and executive producer of a nationally syndicated radio series, “In Search of a Song” with Jason Wilber (John Prine’s longtime lead guitarist) about the lives and music of world class songwriters, and is available on the Public Radio Exchage. Rich is the creator of a comix strip called “What N’ Where? The Adventures of Cosmic Tom”. Growing up in the Appalachian mountains of Pennsylvania, Rich was inspired to help in creating a website for “Coal Country” for Mari-Lynn Evans and Phylis Geller, a movie about the issue of Mountain Top Removal in Appalachia that can be seen on the Discovery Network Planet Green.

 

Becka Shertzer, Brazen Nectar

My ties to the arts, healing and organic food movements are deep, going back to the Queer, Punk, Art, and the early AIDS movements and the macrobiotic community in Boston, MA in the early 80’s. It was there that I first was introduced to radical art and politics as well as the Kushi Institute, Macrobiotics, acupuncture and Chinese medicine. The impact of the healing I experienced through the combination of foods, herbs, ancient spiritual energetic medicine, art and community was profound. I have been exhilarated and inspired by my adventures in fusing all of these beautiful and energetic elements; elements implicit in cooking and creating and pushing the bounds of what is possible in food, flavor, community, art and health. I am currently living my most fully expressed “organic” life! Art, community and food are inextricably connected.

Becka Shertzer, 
artist/muralist
 for the Growing Connections Mural, chef, inspired mixtress
Brazen Nectar
fruit of the gods
’bringin good food to the people’
brazennectar@gmail.com, brazennectar.com 510 318-1405 Homobiles: Queer Car Service
Development 
415 574-5023

 

Veronica Van Gogh

Veronica Van Gogh is an artist, graphic designer, and ecstatic gardener who uses public space as her canvas. She studied Cultural Theory and Cinema Studies at the University of Toronto. She is currently focused on fusing technology and organic materials and images in her creative experiments.(veronicavangogh.com). Committed to art as service (thesockproject.com) and art as viral gift (magariproject.com), Veronica has created installations that have been documented in Italy, Switzerland, NYC & San Francisco over the past 10 years. Her artwork has shown at aMuse Gallery, Workspace Inc., Project Artaud and Root Division. She is a member of ALTARISTAS!, a collective of stealth creators of public altars, the inventor of the slut kit (slutkitshop.com) + designer of fucker soaps and towels. Veronica co-created & designed many of the pieces of ecosexual objects and propaganda that are part of the Ecosex Manifesto Art Exhibit.

 

Daniel Wasko

For Daniel Wasko, designer of the Ecosex Symposium site, there’s nothing like that magical moment when you’re creating and it all starts clicking. Your vision becomes crystallized and it feels like divine intervention. He says, “I hope I can feed that energy into my designs. Art excites me most when it’s transformative, revolutionary and envisions possibilities never imagined. Websites offer a unique way of announcing yourself to the world and I get a big charge from being able to show off the work of other artists through my designs.”

Wasko works with creative artists to create affordable solutions which help them promote their work. He’s worked with Annie Sprinkle for years and is currently working on her site redesign. Facebook: Daniel Wasko Design. Portfolio: danielwasko.com.

 

Additional Thanks To:

 

Michael Grohall

Suzanne Geneste de Besme

Dalia Anani

Sandra Chan

Creatrix Tiara

Amanda Hopkins

Marina Liu

Anna Seiley

Tommy Toxic

Azurdee Miller

Ruby Pearl

Augustus Thompson

Judy Meath

 

 

 

 

Ecosex Symposium I – Highways

Ecosex Symposium I – Highways

Ecosex Symposium I

 

Our first EcoSex Symposium was the Purple Wedding to the Moon honeymoon in Los Angeles. This symposium was held at Highways performance space in Santa Monica. It was an exciting experiment in bringing together academics, sex-workers, artists and performers. Overall it was a happy experiment and set the precedent for our ecosex symposiums to embrace art, theory, practice and research.

 

Ecosex Walking Tours

Ecosex Walking Tours




We do walking tours of various sorts, from on hour long to a full day. Each tour is site specific. It can be from just a few people, up to about 60 people. When possible we offer the tours free, if producer can pay our artist fee. However sometimes we charge a fee to the tour-ists to make up our fee. For larger groups we need a couple of bullhorns. Sometimes we use a sign to lead the group. A walking tour can also be combined with a workshop, or bus ride, or other ideas. Here is an example of short tour:

SexEcological Walking Tour  
Alternate title: Ecosensual Walking Tour
With Elizabeth Stephens & Annie Sprinkle

Join Beth & Annie as they point out the ecosexy sites around _________. Experience the fun when you shift the metaphor from “Earth as mother,” to “Earth as lover!” You’ll learn 25 ways to make love to the Earth, find your e-spot, and explore the eroticism of nature through your senses. In this unique tour, art meets theory meets practice meets activism. Adults only. Rain or shine.

To book a tour, contact us.